Sekhet da Tanis
Sekhet da Tanis - 22506
Bowel container
Bowel container - 26598
Statue of Ramesses II from Tanis. The ruler is probably seated and wears a short wig, encircled by a tenia with the royal uraeus, a large necklace with five rows of beads. His right arm is folded across his chest and in his hand he clasps the heqa sceptre, on his wrist a bracelet with a raised udjat eye. The dress is rich and pleated. The nose is missing. The ruler is depicted with youthful features and the style is very close to that of the statue of Ramesses II himself in the Egyptian Museum in Turin.
Statue of Ramesses II from Tanis. The ruler is probably seated and wears a short wig, encircled by a tenia with the royal uraeus, a large necklace with five rows of beads. His right arm is folded across his chest and in his hand he clasps the heqa sceptre, on his wrist a bracelet with a raised udjat eye. The dress is rich and pleated. The nose is missing. The ruler is depicted with youthful features and the style is very close to that of the statue of Ramesses II himself in the Egyptian Museum in Turin. - 20699
Statue of Ramesses II from Tanis. The ruler is probably seated and wears a short wig, encircled by a tenia with the royal uraeus, a large necklace with five rows of beads. His right arm is folded across his chest and in his hand he clasps the heqa sceptre, on his wrist a bracelet with a raised udjat eye. The dress is rich and pleated. The nose is missing. The ruler is depicted with youthful features and the style is very close to that of the statue of Ramesses II himself in the Egyptian Museum in Turin.
Statue of Ramesses II from Tanis. The ruler is probably seated and wears a short wig, encircled by a tenia with the royal uraeus, a large necklace with five rows of beads. His right arm is folded across his chest and in his hand he clasps the heqa sceptre, on his wrist a bracelet with a raised udjat eye. The dress is rich and pleated. The nose is missing. The ruler is depicted with youthful features and the style is very close to that of the statue of Ramesses II himself in the Egyptian Museum in Turin. - 20700
Statue of Ramesses II from Tanis. The ruler is probably seated and wears a short wig, encircled by a tenia with the royal uraeus, a large necklace with five rows of beads. His right arm is folded across his chest and in his hand he clasps the heqa sceptre, on his wrist a bracelet with a raised udjat eye. The dress is rich and pleated. The nose is missing. The ruler is depicted with youthful features and the style is very close to that of the statue of Ramesses II himself in the Egyptian Museum in Turin.
Statue of Ramesses II from Tanis. The ruler is probably seated and wears a short wig, encircled by a tenia with the royal uraeus, a large necklace with five rows of beads. His right arm is folded across his chest and in his hand he clasps the heqa sceptre, on his wrist a bracelet with a raised udjat eye. The dress is rich and pleated. The nose is missing. The ruler is depicted with youthful features and the style is very close to that of the statue of Ramesses II himself in the Egyptian Museum in Turin. - 20698
Double granite statue representing Amenemhat III as the god Nile making offerings of fish and aquatic plants, symbolising prosperity and fertility. The figures wear a heavy wig divided into two broad locks and a broad beard marked by parallel lines reminiscent of the primordial gods. The hieroglyphic inscriptions on the statues were added during the reign of Psusenne I when the group was brought to Tanis where it was later found.
Double granite statue representing Amenemhat III as the god Nile making offerings of fish and aquatic plants, symbolising prosperity and fertility. The figures wear a heavy wig divided into two broad locks and a broad beard marked by parallel lines reminiscent of the primordial gods. The hieroglyphic inscriptions on the statues were added during the reign of Psusenne I when the group was brought to Tanis where it was later found. - 20844
Double granite statue representing Amenemhat III as the god Nile making offerings of fish and aquatic plants, symbolising prosperity and fertility. The figures wear a heavy wig divided into two broad locks and a broad beard marked by parallel lines reminiscent of the primordial gods. The hieroglyphic inscriptions on the statues were added during the reign of Psusenne I when the group was brought to Tanis where it was later found.
Double granite statue representing Amenemhat III as the god Nile making offerings of fish and aquatic plants, symbolising prosperity and fertility. The figures wear a heavy wig divided into two broad locks and a broad beard marked by parallel lines reminiscent of the primordial gods. The hieroglyphic inscriptions on the statues were added during the reign of Psusenne I when the group was brought to Tanis where it was later found. - 20845
Double granite statue representing Amenemhat III as the god Nile making offerings of fish and aquatic plants, symbolising prosperity and fertility. The figures wear a heavy wig divided into two broad locks and a broad beard marked by parallel lines reminiscent of the primordial gods. The hieroglyphic inscriptions on the statues were added during the reign of Psusenne I when the group was brought to Tanis where it was later found.
Double granite statue representing Amenemhat III as the god Nile making offerings of fish and aquatic plants, symbolising prosperity and fertility. The figures wear a heavy wig divided into two broad locks and a broad beard marked by parallel lines reminiscent of the primordial gods. The hieroglyphic inscriptions on the statues were added during the reign of Psusenne I when the group was brought to Tanis where it was later found. - 20846
The bowl is decorated with an onphalo with a floral motif and a series of broken lines radiating from the centre.
The bowl is decorated with an onphalo with a floral motif and a series of broken lines radiating from the centre. - 70298
The ruler is depicted with the body of a lion in the traditional sphinx pose and the human head framed by a long, thick mane from which leonine ears emerge. On the forehead is the uraeus, the symbol of kingship; on the statue are hieroglyphics with the various titles of the rulers who usurped the statue: titling of Ramesses II.
The ruler is depicted with the body of a lion in the traditional sphinx pose and the human head framed by a long, thick mane from which leonine ears emerge. On the forehead is the uraeus, the symbol of kingship; on the statue are hieroglyphics with the various titles of the rulers who usurped the statue: titling of Ramesses II. - 70318
The mask is made of thick gold leaf showing the idealised features of the ruler. The face is framed by the nemes. On the forehead rises the uraeus.
The mask is made of thick gold leaf showing the idealised features of the ruler. The face is framed by the nemes. On the forehead rises the uraeus. - 21602
The falcon is represented in flight with spread wings. The head, facing left, is made of solid gold. The legs hold shen signs.
The falcon is represented in flight with spread wings. The head, facing left, is made of solid gold. The legs hold shen signs. - 21603
The mask is embossed in a thick sheet of gold; it has hollow eyes and eyebrows to accommodate glass paste.
The mask is embossed in a thick sheet of gold; it has hollow eyes and eyebrows to accommodate glass paste. - 21604
Under the spout is an inscription.
Under the spout is an inscription. - 21678
Under the spout is an inscription.
Under the spout is an inscription. - 21679
The servants are all mummiform with tripartite wigs and folded arms. A column of hieroglyphic inscription unfolds below the arms.
The servants are all mummiform with tripartite wigs and folded arms. A column of hieroglyphic inscription unfolds below the arms. - 21627
The eyes, miraculously intact, are made of glass pastes of different colours. The mask offers an idealised portrait of Undjebauendjed.
The eyes, miraculously intact, are made of glass pastes of different colours. The mask offers an idealised portrait of Undjebauendjed. - 21624
The eyes, miraculously intact, are made of glass pastes of different colours. The mask offers an idealised portrait of Undjebauendjed.
The eyes, miraculously intact, are made of glass pastes of different colours. The mask offers an idealised portrait of Undjebauendjed. - 21625
The pendant depicts Sekhmet, a goddess with the body of a woman and the head of a lioness surmounted by the solar disc with uraeus.
The pendant depicts Sekhmet, a goddess with the body of a woman and the head of a lioness surmounted by the solar disc with uraeus. - 21626
The square face is furrowed by three deep expression lines that give the portrait a rather severe tone.
The square face is furrowed by three deep expression lines that give the portrait a rather severe tone. - 21069
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III.
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III. - 20843
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III.
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III. - 20840
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III.
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III. - 20841
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III.
The ruler, identified according to the style of the sculpture as Amenemhat III, is depicted as a sphinx: with a lion's body and human head. The face is framed by a long, thick mane and the ears are leonine. On the forehead was the uraeus (now lost), on the chin the false, broken beard. The statue was usurped by several rulers after Amenemhat III. - 20842
This necklace consists of two strands of lapis lazuli beads, of slightly decreasing diameter, interspersed with a gold bead in the centre.
This necklace consists of two strands of lapis lazuli beads, of slightly decreasing diameter, interspersed with a gold bead in the centre. - 21661
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity.
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity. - 21674
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity.
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity. - 21675
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity.
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity. - 21676
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity.
The pharaoh wears the nemes veil and on his forehead stands the king cobra. The mask consists of two parts attached together by means of five golden nails folded into its inner cavity. - 21677
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead, the false beard and the sceptre and scourge in his hands.
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead, the false beard and the sceptre and scourge in his hands. - 21749
The mummiform deceased is depicted on the lid. The face is framed by a massive striped wig that descends to the shoulders. A fine figure of the goddess Nut, kneeling, with outstretched arms and wings is engraved at abdomen level, under the arms.
The mummiform deceased is depicted on the lid. The face is framed by a massive striped wig that descends to the shoulders. A fine figure of the goddess Nut, kneeling, with outstretched arms and wings is engraved at abdomen level, under the arms. - 21750
Obelisk of Ramesses II Pink granite
Obelisk of Ramesses II Pink granite - 22502
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead, the false beard and the sceptre and scourge in his hands.
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead, the false beard and the sceptre and scourge in his hands. - 23206
The lid is decorated externally with a large reclining figure representing the osiriform ruler with the symbols of kingship. Pink granite
The lid is decorated externally with a large reclining figure representing the osiriform ruler with the symbols of kingship. Pink granite - 21028
The lid is decorated externally with a large outstretched figure representing the osiriform ruler with the symbols of kingship, symbolically welcomed into the arms of the Goddess Nut. Pink granite
The lid is decorated externally with a large outstretched figure representing the osiriform ruler with the symbols of kingship, symbolically welcomed into the arms of the Goddess Nut. Pink granite - 21029
The sarcophagus has, along the entire upper edge, a band with two lines of hierophlyphs. Below these inscriptions, on each side, are figurative scenes populated by deities and demons. Pink granite
The sarcophagus has, along the entire upper edge, a band with two lines of hierophlyphs. Below these inscriptions, on each side, are figurative scenes populated by deities and demons. Pink granite - 21026
The sarcophagus has, along the entire upper edge, a band with two lines of hierophlyphs. Below these inscriptions, on each side, are figurative scenes populated by deities and demons. Pink granite
The sarcophagus has, along the entire upper edge, a band with two lines of hierophlyphs. Below these inscriptions, on each side, are figurative scenes populated by deities and demons. Pink granite - 21027
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead, the false beard and the sceptre and scourge in his hands.
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead, the false beard and the sceptre and scourge in his hands. - 26700
Mummiform sarcophagus of Psusenne I
Mummiform sarcophagus of Psusenne I - 26701
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls.
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls. - 26708
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls.
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls. - 26705
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls.
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls. - 26706
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls.
The queen rests her right hand on her knee, her left hand on her right arm. The face is framed by a heavy wig: its two ends descend to the chest and end in two large curls. - 26707
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead and the false beard.
The lid depicts the deceased as a mummy with his arms crossed over his chest and with the typical emblems of royal power: the nemes veil on his head, the golden uraeus on his forehead and the false beard. - 26597
The bowl is decorated with an onphalo with a floral motif and a series of broken lines radiating from the centre.
The bowl is decorated with an onphalo with a floral motif and a series of broken lines radiating from the centre. - 26729
The sarcophagus has, along the entire upper edge, a band with two lines of hierophlyphs. Below these inscriptions, on each side, are figurative scenes populated by deities and demons. The lid is decorated externally with a large reclining figure representing the osiriform ruler with the symbols of kingship. Pink granite
The sarcophagus has, along the entire upper edge, a band with two lines of hierophlyphs. Below these inscriptions, on each side, are figurative scenes populated by deities and demons. The lid is decorated externally with a large reclining figure representing the osiriform ruler with the symbols of kingship. Pink granite - 26716
The canopic jars are closed by a lid that has four shapes -human, baboon, falcon or jackal head-, representing the four sons of Horo, namely Imset, Hapi, Qebehsenuf and Duamutef, who preside over the preservation of the internal organs. The lids are covered with a thin sheet of gold and blue glass paste. The four figures bear a gilded bronze uraeus on their heads.
The canopic jars are closed by a lid that has four shapes -human, baboon, falcon or jackal head-, representing the four sons of Horo, namely Imset, Hapi, Qebehsenuf and Duamutef, who preside over the preservation of the internal organs. The lids are covered with a thin sheet of gold and blue glass paste. The four figures bear a gilded bronze uraeus on their heads. - 21595
The canopic jars are closed by a lid that has four shapes -human, baboon, falcon or jackal head-, representing the four sons of Horo, namely Imset, Hapi, Qebehsenuf and Duamutef, who preside over the preservation of the internal organs. The lids are covered with a thin sheet of gold and blue glass paste. The four figures bear a gilded bronze uraeus on their heads.
The canopic jars are closed by a lid that has four shapes -human, baboon, falcon or jackal head-, representing the four sons of Horo, namely Imset, Hapi, Qebehsenuf and Duamutef, who preside over the preservation of the internal organs. The lids are covered with a thin sheet of gold and blue glass paste. The four figures bear a gilded bronze uraeus on their heads. - 21596
The canopic jars are closed by a lid that has four shapes -human, baboon, falcon or jackal head-, representing the four sons of Horo, namely Imset, Hapi, Qebehsenuf and Duamutef, who preside over the preservation of the internal organs. The lids are covered with a thin sheet of gold and blue glass paste. The four figures bear a gilded bronze uraeus on their heads.
The canopic jars are closed by a lid that has four shapes -human, baboon, falcon or jackal head-, representing the four sons of Horo, namely Imset, Hapi, Qebehsenuf and Duamutef, who preside over the preservation of the internal organs. The lids are covered with a thin sheet of gold and blue glass paste. The four figures bear a gilded bronze uraeus on their heads. - 21597
The hob has four holes arranged in a line and a double row of circular depressions. An inscription on the front is engraved with two cartouches.
The hob has four holes arranged in a line and a double row of circular depressions. An inscription on the front is engraved with two cartouches. - 21598

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