Tomba at Tutankhamon
Tomba at Tutankhamon - 31752
Tomba di Tutankhamon
Tomba di Tutankhamon - 35399
Tomba di Tutankhamon
Tomba di Tutankhamon - 35400
Tomb of Tutankhamun.Stone seed mill. Luxor
Tomb of Tutankhamun.Stone seed mill. Luxor - 35662
Painted alabaster casket from the tomb of Tutankhamun. The decoration features geometric and floral motifs and cartouches of the pharaoh on the short sides and lid. The latter is decorated with two bunches of lotus flowers between which is the royal title. The two closing knobs are made of obsidian.
Painted alabaster casket from the tomb of Tutankhamun. The decoration features geometric and floral motifs and cartouches of the pharaoh on the short sides and lid. The latter is decorated with two bunches of lotus flowers between which is the royal title. The two closing knobs are made of obsidian. - 21903
Painted alabaster casket from the tomb of Tutankhamun. The decoration features geometric and floral motifs and cartouches of the pharaoh on the short sides and lid. The latter is decorated with two bunches of lotus flowers between which is the royal title. The two closing knobs are made of obsidian.
Painted alabaster casket from the tomb of Tutankhamun. The decoration features geometric and floral motifs and cartouches of the pharaoh on the short sides and lid. The latter is decorated with two bunches of lotus flowers between which is the royal title. The two closing knobs are made of obsidian. - 21904
Stele at Tutankhamon
Stele at Tutankhamon - 32089
Here Atum is depicted quite simply, without any identifying features: he wears neither a crown nor his traditional headdress nor any divine insignia. He is mummiform, wears a broad, multi-stranded beaded collar, has no beard and his eyes are marked in black.
Here Atum is depicted quite simply, without any identifying features: he wears neither a crown nor his traditional headdress nor any divine insignia. He is mummiform, wears a broad, multi-stranded beaded collar, has no beard and his eyes are marked in black. - 22259
This pair of sisitri has a simple and functional structure: the three segments supporting the rattles are snake-shaped.
This pair of sisitri has a simple and functional structure: the three segments supporting the rattles are snake-shaped. - 22306
It depicts the ruler with the uraeus on his forehead, coupled with a headdress, called a khat, perhaps the pharaoh's prerogative. He has no beard and wears a beaded collar around his neck; in his hands he clutches a folded scrap of cloth and the scourge. An inscription runs along the body.
It depicts the ruler with the uraeus on his forehead, coupled with a headdress, called a khat, perhaps the pharaoh's prerogative. He has no beard and wears a beaded collar around his neck; in his hands he clutches a folded scrap of cloth and the scourge. An inscription runs along the body. - 21968
On the base, an inscription defines the ruler as 'good God, Nebkheperura, justified, loved by Ta-Ta'.
On the base, an inscription defines the ruler as 'good God, Nebkheperura, justified, loved by Ta-Ta'. - 22145
This statuette depicts a cobra in a standing position, very well sculpted and with very pronounced body details. The cobra is made of gilded wood; the eyes, added later, are made of quartz, with details painted on the back, and are surrounded by a bronze outline.
This statuette depicts a cobra in a standing position, very well sculpted and with very pronounced body details. The cobra is made of gilded wood; the eyes, added later, are made of quartz, with details painted on the back, and are surrounded by a bronze outline. - 22152
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins.
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins. - 22146
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins.
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins. - 22147
It has back-painted translucent quartz eyes and some features of the muzzle underlined in blue opaque glass paste.
It has back-painted translucent quartz eyes and some features of the muzzle underlined in blue opaque glass paste. - 21743
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22301
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22298
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22299
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22300
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22349
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22352
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22353
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22350
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22351
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk.
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk. - 22258
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk.
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk. - 22257
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw.
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw. - 30519
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw.
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw. - 30520
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw.
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw. - 30521
The Guradian statues found in the antechamber of Tutankhamun's tomb hold golden maces of this type.
The Guradian statues found in the antechamber of Tutankhamun's tomb hold golden maces of this type. - 21813
The Guradian statues found in the antechamber of Tutankhamun's tomb hold golden maces of this type.
The Guradian statues found in the antechamber of Tutankhamun's tomb hold golden maces of this type. - 21667
Sod of grass contained within the profile of Pharaoh Tutankhamun
Sod of grass contained within the profile of Pharaoh Tutankhamun - 35451
Detail of the parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. The representation in gold foil and bluestone consists of a frame of amulets (Djed pillars; Tiat or knots of Isis) with the central figure of a summary canid with columns of hieroglyphic inscriptions.
Detail of the parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. The representation in gold foil and bluestone consists of a frame of amulets (Djed pillars; Tiat or knots of Isis) with the central figure of a summary canid with columns of hieroglyphic inscriptions. - 21764
Detail of the parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. The detail depicts the joints of the chariot finely decorated with floral and geometric bands. Note the presence of the head of the god Bes, wearing the typical feathered headdress.
Detail of the parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. The detail depicts the joints of the chariot finely decorated with floral and geometric bands. Note the presence of the head of the god Bes, wearing the typical feathered headdress. - 21765
Detail of the parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. The multi-registered gold foil representation includes the names of the ruler inscribed in cartouches on the upper part, followed by the representation of the enemies kneeling on either side of the 'Sema-Tawy' (the heraldic representation of the union of the Two Lands) and again the array of enemies kneeling and with their hands tied, symbolising the pharaoh's victory over all enemies.
Detail of the parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. The multi-registered gold foil representation includes the names of the ruler inscribed in cartouches on the upper part, followed by the representation of the enemies kneeling on either side of the 'Sema-Tawy' (the heraldic representation of the union of the Two Lands) and again the array of enemies kneeling and with their hands tied, symbolising the pharaoh's victory over all enemies. - 21766
Parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. This is the two-wheeled war chariot, which later became a ceremonial chariot and is here reproduced in precious materials for the ruler's afterlife.
Parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. This is the two-wheeled war chariot, which later became a ceremonial chariot and is here reproduced in precious materials for the ruler's afterlife. - 21767
Parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. This is the two-wheeled war chariot, which later became a ceremonial chariot and is here reproduced in precious materials for the ruler's afterlife.
Parade chariot from Tutankhamun's tomb made of wood, gold, semi-precious stones and glass paste. This is the two-wheeled war chariot, which later became a ceremonial chariot and is here reproduced in precious materials for the ruler's afterlife. - 21768
Painted alabaster casket from the tomb of Tutankhamun. The decoration features geometric and floral motifs and cartouches of the pharaoh on the short sides and lid. The latter is decorated with two bunches of lotus flowers between which is the royal title. The two closing knobs are made of obsidian.
Painted alabaster casket from the tomb of Tutankhamun. The decoration features geometric and floral motifs and cartouches of the pharaoh on the short sides and lid. The latter is decorated with two bunches of lotus flowers between which is the royal title. The two closing knobs are made of obsidian. - 21905
The pharaoh is depicted with his right leg raised; in his left hand he holds a bronze rope scroll, perhaps originally attached to his spear. He wears the Lower Egyptian crown, an important beaded collar, a pleated skirt, ceremonial apron and sandals.
The pharaoh is depicted with his right leg raised; in his left hand he holds a bronze rope scroll, perhaps originally attached to his spear. He wears the Lower Egyptian crown, an important beaded collar, a pleated skirt, ceremonial apron and sandals. - 22269
Detail of the back of the backrest.
Detail of the back of the backrest. - 22310
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty.
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty. - 22161
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty.
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty. - 22160
Detail of Tutankhamun's ceremonial chariot: showing the god bes, who adorned the chariot bed
Detail of Tutankhamun's ceremonial chariot: showing the god bes, who adorned the chariot bed - 70283
He has a finger of his right hand in his mouth, in a pose traditionally associated with childhood and in particular with the child Horus. The subject could therefore be the child Horus himself or a ruler at an early age, presumably Tutankhamun
He has a finger of his right hand in his mouth, in a pose traditionally associated with childhood and in particular with the child Horus. The subject could therefore be the child Horus himself or a ruler at an early age, presumably Tutankhamun - 23779
He has a finger of his right hand in his mouth, in a pose traditionally associated with childhood and in particular with the child Horus. The subject could therefore be the child Horus himself or a ruler at an early age, presumably Tutankhamun
He has a finger of his right hand in his mouth, in a pose traditionally associated with childhood and in particular with the child Horus. The subject could therefore be the child Horus himself or a ruler at an early age, presumably Tutankhamun - 23776
Sphinx from the Treasury of Tutankhamun, with human head and arms, representing the ruler himself. On his head he wears the nemes and the Double Crown.
Sphinx from the Treasury of Tutankhamun, with human head and arms, representing the ruler himself. On his head he wears the nemes and the Double Crown. - 30472
Detail of the central scene: Tutankhamun's face.
Detail of the central scene: Tutankhamun's face. - 22317
Detail of the central scene: Tutankhamun's face.
Detail of the central scene: Tutankhamun's face. - 22319
Detail of the central scene: Tutankhamun's face.
Detail of the central scene: Tutankhamun's face. - 22321
The four small relics are closed by four splendid calcite lids depicting the same face. This is probably not Tutankhamun, but one of his predecessors, Neferneferuaten.
The four small relics are closed by four splendid calcite lids depicting the same face. This is probably not Tutankhamun, but one of his predecessors, Neferneferuaten. - 21710

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