jesus child madonna saint joseph shepherds prayer
jesus child madonna saint joseph shepherds prayer - 10157
potrait
potrait - 83170
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this fragment we can see the deployment of all the batteries.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this fragment we can see the deployment of all the batteries. - 698
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see depicted the scene of the dismounting of the army at Marsascirocco.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see depicted the scene of the dismounting of the army at Marsascirocco. - 725
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This in particular is the scene of the 'Little Help', an expedition organised by the Duchy of Savoy to bring provisions to the inhabitants of Malta.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This in particular is the scene of the 'Little Help', an expedition organised by the Duchy of Savoy to bring provisions to the inhabitants of Malta. - 710
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This in particular is the scene of the 'Little Help', an expedition organised by the Duchy of Savoy to bring provisions to the inhabitants of Malta.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This in particular is the scene of the 'Little Help', an expedition organised by the Duchy of Savoy to bring provisions to the inhabitants of Malta. - 711
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565. - 712
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565. - 713
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the assault by sea and land on the island, and on St Michael's, on 15 July 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the assault by sea and land on the island, and on St Michael's, on 15 July 1565. - 702
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the port of Valletta with a demonstration of all the batteries.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the port of Valletta with a demonstration of all the batteries. - 703
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the dismounting of the army at Marsascirocco on 20 May 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the dismounting of the army at Marsascirocco on 20 May 1565. - 704
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this fragment we see the batteries at the Castilian and Alemannic Posts on 9 July 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this fragment we see the batteries at the Castilian and Alemannic Posts on 9 July 1565. - 705
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This scene depicts the assault on the Castilian Post Office (29 July 1565).
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This scene depicts the assault on the Castilian Post Office (29 July 1565). - 721
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565. - 722
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565. - 723
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see depicted the scene of the dismounting of the army at Marsascirocco.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see depicted the scene of the dismounting of the army at Marsascirocco. - 724
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the battery on the island and St Michael's on 27 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the battery on the island and St Michael's on 27 June 1565. - 717
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the battery on the island and St Michael's on 27 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the battery on the island and St Michael's on 27 June 1565. - 718
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the battery on the island and St Michael's on 27 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the battery on the island and St Michael's on 27 June 1565. - 719
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This scene depicts the assault on the Castilian Post Office (29 July 1565).
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This scene depicts the assault on the Castilian Post Office (29 July 1565). - 720
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This scene shows the flight and departure of the Turkish army on 13 September 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This scene shows the flight and departure of the Turkish army on 13 September 1565. - 706
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we see the flight and subsequent departure of the Turkish army on 13 September 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we see the flight and subsequent departure of the Turkish army on 13 September 1565. - 707
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the coming of the Turkish army (18 May 1565).
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the coming of the Turkish army (18 May 1565). - 708
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the arrival of the Turkish fleet (18 May 1565).
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. In this scene we have the arrival of the Turkish fleet (18 May 1565). - 709
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the scene of the coming of the Grand Relief (7 September 1565). The arrival of reinforcements was the coup de grace for the Turks, who after five hours of fighting retreated and boarded their ships.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the scene of the coming of the Grand Relief (7 September 1565). The arrival of reinforcements was the coup de grace for the Turks, who after five hours of fighting retreated and boarded their ships. - 716
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This fragment depicts the assault by sea and land on the island, and on St Michael's, on 15 July 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. This fragment depicts the assault by sea and land on the island, and on St Michael's, on 15 July 1565. - 699
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the taking of St Elmo on 23 June 1565. - 700
lion-headed hilt sword jug with wine cup biblical episode
lion-headed hilt sword jug with wine cup biblical episode - 603
putti with old vase lying with hat on head floral motif
putti with old vase lying with hat on head floral motif - 1047
cello armillary sphere owl trumpet sheet music
cello armillary sphere owl trumpet sheet music - 1020
mythological allegory child harp
mythological allegory child harp - 1026
Little musician horn bassoon child
Little musician horn bassoon child - 1027
Cupid musician sheet music notes child fruit
Cupid musician sheet music notes child fruit - 1028
goddess owl tambourine wind instruments mandola trumpet flute
goddess owl tambourine wind instruments mandola trumpet flute - 1019
Half-length portrait of a woman in Renaissance dress with jewellery
Half-length portrait of a woman in Renaissance dress with jewellery - 9758
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the scene of the coming of the Grand Relief (7 September 1565). The arrival of reinforcements was the coup de grace for the Turks, who after five hours of fighting retreated and boarded their ships.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the scene of the coming of the Grand Relief (7 September 1565). The arrival of reinforcements was the coup de grace for the Turks, who after five hours of fighting retreated and boarded their ships. - 714
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the scene of the coming of the Grand Relief (7 September 1565). The arrival of reinforcements was the coup de grace for the Turks, who after five hours of fighting retreated and boarded their ships.
Matteo Perez painted thirteen frescoes in the Grand Master's Palace in Valletta on the great siege of Malta in May 1565 by the Turkish troops of Suleiman the Magnificent. This is one of the works that introduced Mannerism to Malta. Here we see the scene of the coming of the Grand Relief (7 September 1565). The arrival of reinforcements was the coup de grace for the Turks, who after five hours of fighting retreated and boarded their ships. - 715
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. Here we see a landscape where a man with a bow and arrow is about to slay a dragon, as in a mythological scene.
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. Here we see a landscape where a man with a bow and arrow is about to slay a dragon, as in a mythological scene. - 409
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. Here we see a male figure with a pan flute, surrounded by a verdant landscape.
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. Here we see a male figure with a pan flute, surrounded by a verdant landscape. - 410
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. In particular, this female figure is an allegory of architecture, holding a square and a plumb line.
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. In particular, this female figure is an allegory of architecture, holding a square and a plumb line. - 415
mock niche fruit festoon heraldic dragon of the Boncompagni coat of arms
mock niche fruit festoon heraldic dragon of the Boncompagni coat of arms - 416
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. This female figure in particular is the allegory of writing. She is seated (in a false niche) with a book and pen. Behind her is the coat of arms of the Sforza family of Santa Fiora (rampant lion with quince branch).
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. This female figure in particular is the allegory of writing. She is seated (in a false niche) with a book and pen. Behind her is the coat of arms of the Sforza family of Santa Fiora (rampant lion with quince branch). - 417
allegorical female figure with closed book, reflection, thought, intellectual activity, conceptual
allegorical female figure with closed book, reflection, thought, intellectual activity, conceptual - 411
This festoon of fruit, painted on a false architectural structure, can be found in the Salone della Villa; above this triumph of fruit is a dragon, symbol of the Boncompagni family.
This festoon of fruit, painted on a false architectural structure, can be found in the Salone della Villa; above this triumph of fruit is a dragon, symbol of the Boncompagni family. - 412
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. Here we see a male figure playing a trumpet, surrounded by a lake landscape, with a watchtower and a town in the distance.
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. Here we see a male figure playing a trumpet, surrounded by a lake landscape, with a watchtower and a town in the distance. - 413
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. In particular, this female figure represents the allegory of literature, for she holds a book and a sceptre.
On the four walls of the hall are frescoed allegories depicting the nine muses, interspersed with representations of illustrious men and landscape scenes. In particular, this female figure represents the allegory of literature, for she holds a book and a sceptre. - 414
Monochrome fresco depicting a heated battle in which we find both infantrymen and simple soldiers. The painting technique manages to illusorily reproduce a high relief.
Monochrome fresco depicting a heated battle in which we find both infantrymen and simple soldiers. The painting technique manages to illusorily reproduce a high relief. - 403
Detail of a fresco depicting an allegory of autumn. Here we see two putti, wrapped in ribbons, playing with and eating bunches of grapes contained in a sumptuous cornucopia.
Detail of a fresco depicting an allegory of autumn. Here we see two putti, wrapped in ribbons, playing with and eating bunches of grapes contained in a sumptuous cornucopia. - 404
The fresco depicts, above a false marble architrave, a female figure, whom we can identify with the Muse Erato. The Muse holds a lyre (ancient stringed instrument) in her hand and is richly dressed and bejewelled. Beside her is a putto.
The fresco depicts, above a false marble architrave, a female figure, whom we can identify with the Muse Erato. The Muse holds a lyre (ancient stringed instrument) in her hand and is richly dressed and bejewelled. Beside her is a putto. - 405
Fresco, set in a false frame, representing an allegory of autumn through a play of putti. The little putti play and eat with bunches of grapes. Beneath this painting are mock marbles representing virtues and a female half-bust.
Fresco, set in a false frame, representing an allegory of autumn through a play of putti. The little putti play and eat with bunches of grapes. Beneath this painting are mock marbles representing virtues and a female half-bust. - 406

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