Galata
Galata - 16073
Head of Galata
Head of Galata - 21075
Head of Galata
Head of Galata - 21076
Head of Galata
Head of Galata - 21077
Head of Galata
Head of Galata - 21078
Dying Galata
Dying Galata - 15334
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 4294
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 4295
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 4296
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 4286
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 4287
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 4288
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15373
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15382
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15383
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15384
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15385
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15375
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15377
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15378
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15379
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15381
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15386
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15388
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15389
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15336
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15353
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15354
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15355
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15356
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15350
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15351
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15352
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15362
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15348
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15357
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 15358
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20294
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20295
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20296
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20297
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20292
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20293
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20287
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20288
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20289
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20290
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20286
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20291
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity.
This sculpture does not depict a gladiator, as was believed, instead it represents a dying galata. It is a Roman copy of a Greek bronze original from the School of Pergamon, and was probably part of a group commemorating the victory of Atalus I, King of Pergamon. The nobility and suffering of the dying body are depicted with remarkable sensitivity, making it one of the most beautiful works of Antiquity. - 20281

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