ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 15191
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 15192
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 15178
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 15180
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20280
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20276
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20277
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20278
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20279
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20269
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20271
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20272
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20264
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20259
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20261
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly.
ANTEPRIMA The altar group in statuary marble from Carrara is enclosed between pairs of columns in African breccia paired with pilasters in antique green from Thessaly. - 20262
PREVIEW The statue of David was the fourth statue that Scipione Borghese commissioned from Gian Lorenzo Bernini, who executed it in 1623-24 Concentrated expression absorbed emotional tension strength will
PREVIEW The statue of David was the fourth statue that Scipione Borghese commissioned from Gian Lorenzo Bernini, who executed it in 1623-24 Concentrated expression absorbed emotional tension strength will - 4320
PREVIEW The statue of David was the fourth statue that Scipione Borghese commissioned from Gian Lorenzo Bernini who executed it in 1623-24 male nude concentrated expression emotional tension strength will
PREVIEW The statue of David was the fourth statue that Scipione Borghese commissioned from Gian Lorenzo Bernini who executed it in 1623-24 male nude concentrated expression emotional tension strength will - 4309
PREVIEW The Statue of David was the fourth statue that Scipione Borghese commissioned from Gian Lorenzo Bernini, who executed it in 1623-24 Concentrated expression absorbed emotional tension Force will sling
PREVIEW The Statue of David was the fourth statue that Scipione Borghese commissioned from Gian Lorenzo Bernini, who executed it in 1623-24 Concentrated expression absorbed emotional tension Force will sling - 4321
PREVIEW David's head as Bernini's self-portrait concentrated gaze tight mouth concentration absorbed expression emotional tension strength will
PREVIEW David's head as Bernini's self-portrait concentrated gaze tight mouth concentration absorbed expression emotional tension strength will - 4308
PREVIEW Proserpine was abducted by Hades, the king of the underworld, and became his wife. Beside Cerberus three-headed dog female nude male statue
PREVIEW Proserpine was abducted by Hades, the king of the underworld, and became his wife. Beside Cerberus three-headed dog female nude male statue - 4302
PREVIEW In Ovid's Metamorphoses, the nymph Daphne is transformed into a laurel tree to escape the god Apollo screaming fear transforming statue hands into naked female laurel branches
PREVIEW In Ovid's Metamorphoses, the nymph Daphne is transformed into a laurel tree to escape the god Apollo screaming fear transforming statue hands into naked female laurel branches - 4304
PREVIEW In Ovid's Metamorphoses, the nymph Daphne is transformed into a laurel tree in order to escape the god Apollo hands and hair into laurel branches body into the bark of the plant fear statue female nude male
PREVIEW In Ovid's Metamorphoses, the nymph Daphne is transformed into a laurel tree in order to escape the god Apollo hands and hair into laurel branches body into the bark of the plant fear statue female nude male - 4305
PREVIEW Proserpine was abducted by Hades king of the underworld and became his wife and queen of the underworld hands female body female nude statue
PREVIEW Proserpine was abducted by Hades king of the underworld and became his wife and queen of the underworld hands female body female nude statue - 4306
PREVIEW Proserpine was abducted by Hades, the king of the underworld, and became his wife and queen of the underworld. Cerberus three-headed dog female nude statue
PREVIEW Proserpine was abducted by Hades, the king of the underworld, and became his wife and queen of the underworld. Cerberus three-headed dog female nude statue - 4307
PREVIEW Aeneas, Anchises and Ascanius flee Troy carrying the statues of the sacred Lares or Penates
PREVIEW Aeneas, Anchises and Ascanius flee Troy carrying the statues of the sacred Lares or Penates - 4322
PREVIEW According to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. The detail shows Daphne's face fear screaming open mouth eyes hair
PREVIEW According to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. The detail shows Daphne's face fear screaming open mouth eyes hair - 4314
PREVIEW Proserpine was abducted by Hades, king of the underworld, and became his wife head with beard crown nude female statue abduction
PREVIEW Proserpine was abducted by Hades, king of the underworld, and became his wife head with beard crown nude female statue abduction - 4316
PREVIEW Proserpine was abducted by Hades, the king of the underworld, and became his naked female wife
PREVIEW Proserpine was abducted by Hades, the king of the underworld, and became his naked female wife - 4317
PREVIEW Aeneas, Anchises and Ascanius fleeing Troy sadness
PREVIEW Aeneas, Anchises and Ascanius fleeing Troy sadness - 4331
PREVIEW Aeneas, Anchises and Ascanius fleeing from Troy carrying the sacred Lares or Penates fear statues
PREVIEW Aeneas, Anchises and Ascanius fleeing from Troy carrying the sacred Lares or Penates fear statues - 4333
PREVIEW Angel with INRI cartouche
PREVIEW Angel with INRI cartouche - 4336
PREVIEW Profile of Aeneas fleeing from burning Troy with his father Anchises and son Ascanius carrying the statues of the sacred Lares or Penates statue
PREVIEW Profile of Aeneas fleeing from burning Troy with his father Anchises and son Ascanius carrying the statues of the sacred Lares or Penates statue - 4326
PREVIEW Aeneas' head seen from the front, fleeing from Troy in flaming statue sadness
PREVIEW Aeneas' head seen from the front, fleeing from Troy in flaming statue sadness - 4328
PREVIEW According to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo's fleeing statue of naked female desire
PREVIEW According to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo's fleeing statue of naked female desire - 4313
PREVIEW Angel with INRI cartouche
PREVIEW Angel with INRI cartouche - 4337
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo.
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. - 18844
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo.
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. - 18836
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo.
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. - 18837
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo.
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. - 18849
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo.
PREVIEW Apollo and Daphne. according to Ovid's Metamorphoses, the nymph is transformed into a laurel tree to escape the god Apollo. - 18855
PREVIEW Features an eye-catching scarf wrapped around the armour and ringed hair
PREVIEW Features an eye-catching scarf wrapped around the armour and ringed hair - 26501
PREVIEW Features an eye-catching scarf wrapped around the armour and ringed hair
PREVIEW Features an eye-catching scarf wrapped around the armour and ringed hair - 26503
PREVIEW Bust of cardinal with figure of saints on cloak
PREVIEW Bust of cardinal with figure of saints on cloak - 26493
PREVIEW Bust of cardinal with figure of saints on cloak
PREVIEW Bust of cardinal with figure of saints on cloak - 26494
PREVIEW Bust of cardinal with figure of saints on cloak
PREVIEW Bust of cardinal with figure of saints on cloak - 26496
Busto di Medusa
Busto di Medusa - 34978
Busto di Medusa
Busto di Medusa - 34801
Busto di Medusa
Busto di Medusa - 34802
Busto di Medusa
Busto di Medusa - 34789

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