The reverse side of golden Oktadrachm of Ptolemy II with jugated busts right of Ptolemy I, drapped and diademed, and Berenice I, drapped, veiled and diademed, overhead the word ΘΕΩΝ, Theon. The obverse has busts right of Ptolemy II, drapped and with diadem, and Arsinoe II, veiled and with diadem, behind Gallic shield, overhead the word ΑΔΕΛΦΩΝ, Adelfon.
The reverse side of golden Oktadrachm of Ptolemy II with jugated busts right of Ptolemy I, drapped and diademed, and Berenice I, drapped, veiled and diademed, overhead the word ΘΕΩΝ, Theon. The obverse has busts right of Ptolemy II, drapped and with diadem, and Arsinoe II, veiled and with diadem, behind Gallic shield, overhead the word ΑΔΕΛΦΩΝ, Adelfon. - 29107
On the obverse are the harnessed busts of Ptolemy II, draped and with diadem, and of Arsinoe II, draped and veiled, behind Gallic shield, above the inscription ΑΔΕΛΦΩΝ or Adelfon. Reverse of Ptolemy II's gold octodrachm with the busts of Ptolemy I, draped and with diadem, and Berenice I, draped, veiled and with diadem; above the inscription ΘΕΩΝ or Theon.
On the obverse are the harnessed busts of Ptolemy II, draped and with diadem, and of Arsinoe II, draped and veiled, behind Gallic shield, above the inscription ΑΔΕΛΦΩΝ or Adelfon. Reverse of Ptolemy II's gold octodrachm with the busts of Ptolemy I, draped and with diadem, and Berenice I, draped, veiled and with diadem; above the inscription ΘΕΩΝ or Theon. - 8159
On the obverse are the harnessed busts of Ptolemy II, draped and with diadem, and of Arsinoe II, draped and veiled, behind Gallic shield, above the inscription ΑΔΕΛΦΩΝ or Adelfon. Reverse of Ptolemy II's gold octodrachm with the busts of Ptolemy I, draped and with diadem, and Berenice I, draped, veiled and with diadem; above the inscription ΘΕΩΝ or Theon.
On the obverse are the harnessed busts of Ptolemy II, draped and with diadem, and of Arsinoe II, draped and veiled, behind Gallic shield, above the inscription ΑΔΕΛΦΩΝ or Adelfon. Reverse of Ptolemy II's gold octodrachm with the busts of Ptolemy I, draped and with diadem, and Berenice I, draped, veiled and with diadem; above the inscription ΘΕΩΝ or Theon. - 8162
Reverse of Ptolemy II's gold octodrachm with the garlanded busts of Ptolemy I, draped and with diadem, and Berenice I, draped, veiled and with diadem; above the inscription ΘΕΩΝ or Theon. On the obverse are the busts of Ptolemy II, draped and with diadem, and of Arsinoe II, draped and veiled, behind Gallic shield, above the inscription ΑΔΕΛΦΩΝ or Adelfon.
Reverse of Ptolemy II's gold octodrachm with the garlanded busts of Ptolemy I, draped and with diadem, and Berenice I, draped, veiled and with diadem; above the inscription ΘΕΩΝ or Theon. On the obverse are the busts of Ptolemy II, draped and with diadem, and of Arsinoe II, draped and veiled, behind Gallic shield, above the inscription ΑΔΕΛΦΩΝ or Adelfon. - 8158
Head of Ptolemy VI Philomethoros, a granite copy of the marble original in the same museum and executed by an Egyptian artist.
Head of Ptolemy VI Philomethoros, a granite copy of the marble original in the same museum and executed by an Egyptian artist. - 8077
Head of Ptolemy VI Philomethoros, a granite copy of the marble original in the same museum and executed by an Egyptian artist.
Head of Ptolemy VI Philomethoros, a granite copy of the marble original in the same museum and executed by an Egyptian artist. - 8078
Portrait head of Ptolemy IV in pink granite from Aswan. He wears the double crown of Upper and Lower Egypt, the nemes with uraeus, but the hair is typical of Hellenistic art.
Portrait head of Ptolemy IV in pink granite from Aswan. He wears the double crown of Upper and Lower Egypt, the nemes with uraeus, but the hair is typical of Hellenistic art. - 8084
Head of Ptolemy VI Philomethoros, a granite copy of the marble original in the same museum and executed by an Egyptian artist.
Head of Ptolemy VI Philomethoros, a granite copy of the marble original in the same museum and executed by an Egyptian artist. - 15072
The sovereign is depicted standing, with his left leg forward and his arms stretched across his body and hands clenched into fists. The hair can be seen under the nemes.
The sovereign is depicted standing, with his left leg forward and his arms stretched across his body and hands clenched into fists. The hair can be seen under the nemes. - 20975
The sovereign is depicted standing, with his left leg forward and his arms stretched across his body and hands clenched into fists. The hair can be seen under the nemes.
The sovereign is depicted standing, with his left leg forward and his arms stretched across his body and hands clenched into fists. The hair can be seen under the nemes. - 20976
Bridegroom of Berenice
Bridegroom of Berenice - 24766
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original - 7676
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original - 7806
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original - 7804
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original
portrait of young man face classicism male figure adult maturity intelligence thoughtful nobility nose Greek bust Hellenistic ruler of mature age royal tenia knotted at nape of neck full lips prominent chin Roman copy of Attic school from bronze original - 7805
A grey granite portrait of Mark Antony, however, it is thought to be a portrait of Ptolemy VIII.
A grey granite portrait of Mark Antony, however, it is thought to be a portrait of Ptolemy VIII. - 8039
The stele is divided into three registers: the rib, the central body with an offering scene and a text arranged in five horizontal lines at the base.
The stele is divided into three registers: the rib, the central body with an offering scene and a text arranged in five horizontal lines at the base. - 21093
Two thirds of the middle register is occupied by the image of the bull Buchis. In front of the altar in the act of offering, the sovereign Ptolemy V appears, standing.
Two thirds of the middle register is occupied by the image of the bull Buchis. In front of the altar in the act of offering, the sovereign Ptolemy V appears, standing. - 21092
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do.
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do. - 8125
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do.
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do. - 8126
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do.
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do. - 8127
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do.
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do. - 8128
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do.
Floor mosaic of Queen Berenice II wife of Ptolemy III Evergete. The border features an intricate design surrounding the central image of the queen. The mosaic was once thought to represent the city of Alexandria due to the presence of a crowned bust of a woman with the prow of a ship, dressed in Hellenistic military dress and depicted with large eyes as the Ptolemies used to do. - 8129

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