This pair of sisitri has a simple and functional structure: the three segments supporting the rattles are snake-shaped.
This pair of sisitri has a simple and functional structure: the three segments supporting the rattles are snake-shaped. - 22306
The body of the ushabty, as symbolised by the white colour used, is completely wrapped in linen bandages, from which only the hands crossed over the chest emerge. The false beard and the striped wig are in blue. The lower part of the body is completely covered with hieroglyphic inscriptions running horizontally.
The body of the ushabty, as symbolised by the white colour used, is completely wrapped in linen bandages, from which only the hands crossed over the chest emerge. The false beard and the striped wig are in blue. The lower part of the body is completely covered with hieroglyphic inscriptions running horizontally. - 22084
It depicts the ruler with the uraeus on his forehead, coupled with a headdress, called a khat, perhaps the pharaoh's prerogative. He has no beard and wears a beaded collar around his neck; in his hands he clutches a folded scrap of cloth and the scourge. An inscription runs along the body.
It depicts the ruler with the uraeus on his forehead, coupled with a headdress, called a khat, perhaps the pharaoh's prerogative. He has no beard and wears a beaded collar around his neck; in his hands he clutches a folded scrap of cloth and the scourge. An inscription runs along the body. - 21968
Here Atum is depicted quite simply, without any identifying features: he wears neither a crown nor his traditional headdress nor any divine insignia. He is mummiform, wears a broad, multi-stranded beaded collar, has no beard and his eyes are marked in black.
Here Atum is depicted quite simply, without any identifying features: he wears neither a crown nor his traditional headdress nor any divine insignia. He is mummiform, wears a broad, multi-stranded beaded collar, has no beard and his eyes are marked in black. - 22259
This statuette depicts a cobra in a standing position, very well sculpted and with very pronounced body details. The cobra is made of gilded wood; the eyes, added later, are made of quartz, with details painted on the back, and are surrounded by a bronze outline.
This statuette depicts a cobra in a standing position, very well sculpted and with very pronounced body details. The cobra is made of gilded wood; the eyes, added later, are made of quartz, with details painted on the back, and are surrounded by a bronze outline. - 22152
On the base, an inscription defines the ruler as 'good God, Nebkheperura, justified, loved by Ta-Ta'.
On the base, an inscription defines the ruler as 'good God, Nebkheperura, justified, loved by Ta-Ta'. - 22145
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins.
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins. - 22146
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins.
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins. - 22147
It has back-painted translucent quartz eyes and some features of the muzzle underlined in blue opaque glass paste.
It has back-painted translucent quartz eyes and some features of the muzzle underlined in blue opaque glass paste. - 21743
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk.
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk. - 22257
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk.
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk. - 22258
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty.
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty. - 22161
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty.
It is made of poorly worked wood. One of the royal symbols, the sceptre, is made of bare bronze, while the other, the flagellum, is forged in the same material, but covered with a thin sheet of gold. From the waist down are engraved six vertical bands of hieroglyphics with the formula ushabty. - 22160
The body of the ushabty, as symbolised by the white colour used, is completely wrapped in linen bandages, from which only the hands crossed over his chest emerge. He wears a false beard and a simple wig The lower part of his body is completely covered in hieroglyphics in yellow, the same colour used to decorate the flagellum and sceptre he carries in his hands.
The body of the ushabty, as symbolised by the white colour used, is completely wrapped in linen bandages, from which only the hands crossed over his chest emerge. He wears a false beard and a simple wig The lower part of his body is completely covered in hieroglyphics in yellow, the same colour used to decorate the flagellum and sceptre he carries in his hands. - 22093
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite - 20709
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite - 20710
Blue faïence amulet in the form of a djed pillar with gold decoration and cartouche with the name Nebkheperura. The djed pillar represented Osiris' spine and was a symbol of rebirth. It was meant to give the wearer solidity, balance and stability. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the wearer the properties they contained: protection, vitality, strength, regeneration.
Blue faïence amulet in the form of a djed pillar with gold decoration and cartouche with the name Nebkheperura. The djed pillar represented Osiris' spine and was a symbol of rebirth. It was meant to give the wearer solidity, balance and stability. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the wearer the properties they contained: protection, vitality, strength, regeneration. - 22339
This fan consists of a long stick shaped like a lotus flower at the top and a plate on the edge of which ostrich feathers were threaded. In the centre of the plate decoration are the king's cartouches surmounted by two solar disks. On either side of the cartouches, two deities in the form of vultures hold two emblems of power between their wings.
This fan consists of a long stick shaped like a lotus flower at the top and a plate on the edge of which ostrich feathers were threaded. In the centre of the plate decoration are the king's cartouches surmounted by two solar disks. On either side of the cartouches, two deities in the form of vultures hold two emblems of power between their wings. - 21782
It is clear from the decorated motif of this tyet amulet why it is likened to a folded cloth, with a loop at the top. Instead of being in red stone it is in blue faience, with some manganese motifs, including Tutankhamun's pre-name.
It is clear from the decorated motif of this tyet amulet why it is likened to a folded cloth, with a loop at the top. Instead of being in red stone it is in blue faience, with some manganese motifs, including Tutankhamun's pre-name. - 23783
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22353
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22349
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22350
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22351
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22352
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22301
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22298
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22299
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22300
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear.
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear. - 21515
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear.
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear. - 21516
The shape of the box recalls that of a scroll; its lid, feathered on both sides, depicts the solar disc.
The shape of the box recalls that of a scroll; its lid, feathered on both sides, depicts the solar disc. - 21476
The shape of the box recalls that of a scroll; its lid, feathered on both sides, depicts the solar disc.
The shape of the box recalls that of a scroll; its lid, feathered on both sides, depicts the solar disc. - 21475
Sphinx from the Treasury of Tutankhamun, with human head and arms, representing the ruler himself. On his head he wears the nemes and the Double Crown.
Sphinx from the Treasury of Tutankhamun, with human head and arms, representing the ruler himself. On his head he wears the nemes and the Double Crown. - 30472
Its mummiform body is decorated by a feathered robe and on the chest by a collar made of rows of beads. The statuette is made of wood and is entirely gilded. The cap on the head is made of blue faience, the same colour used for the eyes, outlined in glass paste. The flat beard is made of polished bronze. In his hands he holds a uas sceptre, symbol of authority, which incorporates the ankh sign, symbol of life, and the djed sign, emblem of resistance.
Its mummiform body is decorated by a feathered robe and on the chest by a collar made of rows of beads. The statuette is made of wood and is entirely gilded. The cap on the head is made of blue faience, the same colour used for the eyes, outlined in glass paste. The flat beard is made of polished bronze. In his hands he holds a uas sceptre, symbol of authority, which incorporates the ankh sign, symbol of life, and the djed sign, emblem of resistance. - 22150
Its mummiform body is decorated by a feathered robe and on the chest by a collar made of rows of beads. The statuette is made of wood and is entirely gilded. The cap on the head is made of blue faience, the same colour used for the eyes, outlined in glass paste. The flat beard is made of polished bronze. In his hands he holds a uas sceptre, symbol of authority, which incorporates the ankh sign, symbol of life, and the djed sign, emblem of resistance.
Its mummiform body is decorated by a feathered robe and on the chest by a collar made of rows of beads. The statuette is made of wood and is entirely gilded. The cap on the head is made of blue faience, the same colour used for the eyes, outlined in glass paste. The flat beard is made of polished bronze. In his hands he holds a uas sceptre, symbol of authority, which incorporates the ankh sign, symbol of life, and the djed sign, emblem of resistance. - 22151
The goose of Amun painted black and with a golden beak is a striking image. It is one of the sacred creatures kept in the Treasury Chamber, testifying to the restoration of the cults widespread in Thebes before the Amarnaean period.
The goose of Amun painted black and with a golden beak is a striking image. It is one of the sacred creatures kept in the Treasury Chamber, testifying to the restoration of the cults widespread in Thebes before the Amarnaean period. - 22309
The ushabty does not hold any utensils in his hand, the fact that his task was to clean the canals and transport sand from East to West is clear from what was found in the Treasury Chamber and the Anessus.
The ushabty does not hold any utensils in his hand, the fact that his task was to clean the canals and transport sand from East to West is clear from what was found in the Treasury Chamber and the Anessus. - 21974
Detail of the back of the backrest.
Detail of the back of the backrest. - 22310
The pharaoh is depicted with his right leg raised; in his left hand he holds a bronze rope scroll, perhaps originally attached to his spear. He wears the Lower Egyptian crown, an important beaded collar, a pleated skirt, ceremonial apron and sandals.
The pharaoh is depicted with his right leg raised; in his left hand he holds a bronze rope scroll, perhaps originally attached to his spear. He wears the Lower Egyptian crown, an important beaded collar, a pleated skirt, ceremonial apron and sandals. - 22269
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw.
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw. - 30519
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw.
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw. - 30520
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw.
Wooden bed of Tutankhamun, from his tomb (KV62). Headboard inlaid with vertical rectangles and feet moulded in the shape of a lion's paw. - 30521
In the centre of the hull of this boat is a throne on which the ruler is said to have sat alone during his voyage through the heavens 'on the boat of Ra'. on the stern and bow, gilded, is the recognisable title of Tutankhamun.
In the centre of the hull of this boat is a throne on which the ruler is said to have sat alone during his voyage through the heavens 'on the boat of Ra'. on the stern and bow, gilded, is the recognisable title of Tutankhamun. - 21811
This boat is made of wood, gilded at the ends and decorated along its entire length. The bow is raised and the stern elegantly curved. Tutankhamun's cartouches can also be recognised on the sides and from stern to bow.
This boat is made of wood, gilded at the ends and decorated along its entire length. The bow is raised and the stern elegantly curved. Tutankhamun's cartouches can also be recognised on the sides and from stern to bow. - 21808
The Guradian statues found in the antechamber of Tutankhamun's tomb hold golden maces of this type.
The Guradian statues found in the antechamber of Tutankhamun's tomb hold golden maces of this type. - 21813
The blade is made of solid gold, decorated simply with a chiselled two-line floral motif. On the pommel are depicted some hawks and, at the top, lilies framing a cartouche with the names of Tutankhamun.
The blade is made of solid gold, decorated simply with a chiselled two-line floral motif. On the pommel are depicted some hawks and, at the top, lilies framing a cartouche with the names of Tutankhamun. - 21525
The blade is made of solid gold, decorated simply with a chiselled two-line floral motif. On the pommel are depicted some hawks and, at the top, lilies framing a cartouche with the names of Tutankhamun.
The blade is made of solid gold, decorated simply with a chiselled two-line floral motif. On the pommel are depicted some hawks and, at the top, lilies framing a cartouche with the names of Tutankhamun. - 21523
The blade is made of solid gold, decorated simply with a chiselled two-line floral motif. On the pommel are depicted some hawks and, at the top, lilies framing a cartouche with the names of Tutankhamun.
The blade is made of solid gold, decorated simply with a chiselled two-line floral motif. On the pommel are depicted some hawks and, at the top, lilies framing a cartouche with the names of Tutankhamun. - 21524
Detail of the central scene of the casket: Tutankhamun on his chariot and with his bow outstretched.
Detail of the central scene of the casket: Tutankhamun on his chariot and with his bow outstretched. - 22112
Detail of the central scene: Tutankhamun hurling himself at a melee of Asians.
Detail of the central scene: Tutankhamun hurling himself at a melee of Asians. - 22129

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