This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins.
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins. - 22146
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins.
This statue is covered in red or purplish gold leaf and has eyes and eyebrows outlined in black, as is the base. Here Duamutef has the head of a jackal, which probably has very ancient origins. - 22147
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22301
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22298
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22299
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22300
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22349
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22352
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22353
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22350
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears.
Statue depicting the ka of Tutankhamun. It was found in the antechamber of the tomb and near the entrance to the burial chamber, facing his companion. At the time of the discovery girlande of olive and persea leaves were found nearby as offerings. Both statues have black skin to symbolise, as ka of the ruler, the rebirth and ressurection of Osiris, whose skin was believed to be black to recall the colour of the silt of the Nile. The difference between the two statues is minimal and lies in the headdresses (a nemes and a khat) and the inscriptions on the skirts. Both have a mace in their right hand and a papyrus-stemmed staff in the other. Around their necks are a gold necklace and breastplate and they also wear bracelets and anklets of gilded bronze. Amarnian influence can be seen in their prominent bellies, slender legs and pierced ears. - 22351
Here Atum is depicted quite simply, without any identifying features: he wears neither a crown nor his traditional headdress nor any divine insignia. He is mummiform, wears a broad, multi-stranded beaded collar, has no beard and his eyes are marked in black.
Here Atum is depicted quite simply, without any identifying features: he wears neither a crown nor his traditional headdress nor any divine insignia. He is mummiform, wears a broad, multi-stranded beaded collar, has no beard and his eyes are marked in black. - 22259
On the base, an inscription defines the ruler as 'good God, Nebkheperura, justified, loved by Ta-Ta'.
On the base, an inscription defines the ruler as 'good God, Nebkheperura, justified, loved by Ta-Ta'. - 22145
This statuette depicts a cobra in a standing position, very well sculpted and with very pronounced body details. The cobra is made of gilded wood; the eyes, added later, are made of quartz, with details painted on the back, and are surrounded by a bronze outline.
This statuette depicts a cobra in a standing position, very well sculpted and with very pronounced body details. The cobra is made of gilded wood; the eyes, added later, are made of quartz, with details painted on the back, and are surrounded by a bronze outline. - 22152
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk.
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk. - 22258
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk.
Sekhmet 'the Mighty' is depicted here on a feathered throne, wearing a tight-fitting robe decorated with a delicate floral motif. Her nose is made of black glass paste and on her head she has a sun disk. - 22257
On his head he wears the white crown of Upper Egypt, with a golden uraeus. The pharaoh wears a collar and a skirt. In his right hand he clutches the royal scourge and in his left he holds the staff with the curved end, called aut.
On his head he wears the white crown of Upper Egypt, with a golden uraeus. The pharaoh wears a collar and a skirt. In his right hand he clutches the royal scourge and in his left he holds the staff with the curved end, called aut. - 22270
On his head he wears the white crown of Upper Egypt, with a golden uraeus. The pharaoh wears a collar and a skirt. In his right hand he clutches the royal scourge and in his left he holds the staff with the curved end, called aut.
On his head he wears the white crown of Upper Egypt, with a golden uraeus. The pharaoh wears a collar and a skirt. In his right hand he clutches the royal scourge and in his left he holds the staff with the curved end, called aut. - 22271
The sovereign is in a familiar pose, with his left foot forward, in the act of taking a small step. On his head he wears the red crown, with a shiny bronze uraeus on his forehead. In his left hand the pharaoh holds a long staff and in his right grips the royal scourge.
The sovereign is in a familiar pose, with his left foot forward, in the act of taking a small step. On his head he wears the red crown, with a shiny bronze uraeus on his forehead. In his left hand the pharaoh holds a long staff and in his right grips the royal scourge. - 22267
The sovereign is in a familiar pose, with his left foot forward, in the act of taking a small step. On his head he wears the red crown, with a shiny bronze uraeus on his forehead. In his left hand the pharaoh holds a long staff and in his right grips the royal scourge.
The sovereign is in a familiar pose, with his left foot forward, in the act of taking a small step. On his head he wears the red crown, with a shiny bronze uraeus on his forehead. In his left hand the pharaoh holds a long staff and in his right grips the royal scourge. - 22268
There is no inscription that can provide information on the identity of the subject depicted, although it has been suggested that it is of the pharaoh as a child, since he shows the curl of youth. Some scholars, however, consider it more likely that the statuette depicts Ihy, the son of Hathor of Daedera and Horus of Edfu.
There is no inscription that can provide information on the identity of the subject depicted, although it has been suggested that it is of the pharaoh as a child, since he shows the curl of youth. Some scholars, however, consider it more likely that the statuette depicts Ihy, the son of Hathor of Daedera and Horus of Edfu. - 22255
There is no inscription that can provide information on the identity of the subject depicted, although it has been suggested that it is of the pharaoh as a child, since he shows the curl of youth. Some scholars, however, consider it more likely that the statuette depicts Ihy, the son of Hathor of Daedera and Horus of Edfu.
There is no inscription that can provide information on the identity of the subject depicted, although it has been suggested that it is of the pharaoh as a child, since he shows the curl of youth. Some scholars, however, consider it more likely that the statuette depicts Ihy, the son of Hathor of Daedera and Horus of Edfu. - 22256
This gilded wooden statuette represents the god Shu in the form of a mummy, with a double pumie headdress. He has a typical Osiris beard, painted black, as are his eyes and eyebrows.
This gilded wooden statuette represents the god Shu in the form of a mummy, with a double pumie headdress. He has a typical Osiris beard, painted black, as are his eyes and eyebrows. - 22333
On one of the short sides is a double door. A gilded wooden support for a statue was found inside the shrine.
On one of the short sides is a double door. A gilded wooden support for a statue was found inside the shrine. - 22136
Qebhsenuef is represented in the form of a mummy with the head of a falcon, on which he wears a tripartite wig. The head has the upper part painted black, the beak in glass paste of the same colour and the eyes well highlighted in blue glass paste.
Qebhsenuef is represented in the form of a mummy with the head of a falcon, on which he wears a tripartite wig. The head has the upper part painted black, the beak in glass paste of the same colour and the eyes well highlighted in blue glass paste. - 22148
Qebhsenuef is represented in the form of a mummy with the head of a falcon, on which he wears a tripartite wig. The head has the upper part painted black, the beak in glass paste of the same colour and the eyes well highlighted in blue glass paste.
Qebhsenuef is represented in the form of a mummy with the head of a falcon, on which he wears a tripartite wig. The head has the upper part painted black, the beak in glass paste of the same colour and the eyes well highlighted in blue glass paste. - 22149
Sphinx from the Treasury of Tutankhamun, with human head and arms, representing the ruler himself. On his head he wears the nemes and the Double Crown.
Sphinx from the Treasury of Tutankhamun, with human head and arms, representing the ruler himself. On his head he wears the nemes and the Double Crown. - 30472
Detail: Tutankhamun is portrayed in the act of receiving various objects from his bride.
Detail: Tutankhamun is portrayed in the act of receiving various objects from his bride. - 22143
The goose of Amun painted black and with a golden beak is a striking image. It is one of the sacred creatures kept in the Treasury Chamber, testifying to the restoration of the cults widespread in Thebes before the Amarnaean period.
The goose of Amun painted black and with a golden beak is a striking image. It is one of the sacred creatures kept in the Treasury Chamber, testifying to the restoration of the cults widespread in Thebes before the Amarnaean period. - 22309
This statuette depicts Mamu, a little-known local deity. The god is in mummy form and has the typical Osiris beard.
This statuette depicts Mamu, a little-known local deity. The god is in mummy form and has the typical Osiris beard. - 22332
The right wall is divided into two registers. All representations refer to the sovereign in the company of Ankhesenamon.
The right wall is divided into two registers. All representations refer to the sovereign in the company of Ankhesenamon. - 22138
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort.
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort. - 22139
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort.
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort. - 22140
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort.
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort. - 22141
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort. Detail of the back wall.
The back wall and the door-knockers, both interior and exterior, are decorated with scenes in which Ankhesenamon makes offerings before his royal consort. Detail of the back wall. - 22142
The right wall of the sanctuary is divided into four panels. All representations refer to the ruler in the company of Ankhesenamon.
The right wall of the sanctuary is divided into four panels. All representations refer to the ruler in the company of Ankhesenamon. - 22137
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies - 21735
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies - 21736
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies - 21733
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies
The clothes worn by the most important figures, who had been depicted in paintings, reliefs and sculptures, seem to have been tailor-made by painstaking craftsmen who must have had the help of such dummies - 21734
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite - 20709
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite
The king, depicted in the act of advancing with his left leg forward, wears the double crown, of which only the base remains, over a nemes still bearing traces of blue and yellow. The arms, legs, nemes and part of the back pillar and right shoulder are missing. A dagger with a hawk's head handle is stuck in the skirt; in the centre of the belt a cartouche bears the name of Horemheb. Pink quartzite - 20710
The statue depicting the sovereign is covered with a layer of gilded stucco; the flagellum, sceptre, uraeus and sandals are made of polished bronze. The black colouring of the pedestal on which the pharaoh rests, the leopard and the second pedestal contrasts with the bronze parts and the gilded details on the animal's snout and ears.
The statue depicting the sovereign is covered with a layer of gilded stucco; the flagellum, sceptre, uraeus and sandals are made of polished bronze. The black colouring of the pedestal on which the pharaoh rests, the leopard and the second pedestal contrasts with the bronze parts and the gilded details on the animal's snout and ears. - 22266
Gilded wooden statuette, one of the ushabtis from Tutankhamun's treasure.
Gilded wooden statuette, one of the ushabtis from Tutankhamun's treasure. - 30532
Gilded wooden statuette, one of the ushabtis from Tutankhamun's treasure.
Gilded wooden statuette, one of the ushabtis from Tutankhamun's treasure. - 30533
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold.
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold. - 30480
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold.
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold. - 30530
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold.
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold. - 30528
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold.
Head of Mehet-Weret, celestial deity associated with Hathor, with the head of a cow. The figure is carved in wood, the horns are made of copper, the eyes are inlaid with lapis lazuli and form the Eye of Ra, one of Hathor's symbols, the rest of the head and neck are covered with gold. - 30529
It depicts the pharaoh as a mummy, on a catafalque decorated with two lions The ruler wears the nemes, striped with black paint. The text columns praise the goddess Nut and the deities Anubis, Osiris and Horus The statuette was brought as a gift by Maya, court treasurer
It depicts the pharaoh as a mummy, on a catafalque decorated with two lions The ruler wears the nemes, striped with black paint. The text columns praise the goddess Nut and the deities Anubis, Osiris and Horus The statuette was brought as a gift by Maya, court treasurer - 21986

Next page

End of content

No more pages to load