Iconic statue. The sculpture reproduces the same character as a twin statue discovered in the temple of Isis on Myrtousa.
Iconic statue. The sculpture reproduces the same character as a twin statue discovered in the temple of Isis on Myrtousa. - 24842
Female statue not iconographically identified. The body can be dated to the 4th century BC, while the head dates to the 1st century BC.
Female statue not iconographically identified. The body can be dated to the 4th century BC, while the head dates to the 1st century BC. - 24617
Statue of Marcus Aurelius assembled in the late period with a portrait of the emperor and a female sculpture.
Statue of Marcus Aurelius assembled in the late period with a portrait of the emperor and a female sculpture. - 24714
Statue of Marcus Aurelius assembled in the late period with a portrait of the emperor and a female sculpture.
Statue of Marcus Aurelius assembled in the late period with a portrait of the emperor and a female sculpture. - 24715
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24826
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24827
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24828
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24829
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24830
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24831
The sculpture was carved from a colossal statue of the god Asclepius.
The sculpture was carved from a colossal statue of the god Asclepius. - 24832
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 16216
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24728
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24729
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24730
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24731
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24732
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24733
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24726
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24727
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24723
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24724
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 24725
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period.
The sculpture has recently been attributed to a mannerist master active in Cyrene in the late Hellenistic period. - 28796
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24678
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24680
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24681
Funerary half-bust of the goddess Proserpina From axillary torsos to actual half-figures aprosopic or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
Funerary half-bust of the goddess Proserpina From axillary torsos to actual half-figures aprosopic or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24682
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24647
Statue of Satyr with infant Dionysus from the Great Baths, attributed to the Antonine Age.
Statue of Satyr with infant Dionysus from the Great Baths, attributed to the Antonine Age. - 24688
Statue of Satyr with infant Dionysus from the Great Baths, attributed to the Antonine Age.
Statue of Satyr with infant Dionysus from the Great Baths, attributed to the Antonine Age. - 24689
Statue of Satyr with infant Dionysus from the Great Baths, attributed to the Antonine Age.
Statue of Satyr with infant Dionysus from the Great Baths, attributed to the Antonine Age. - 24690
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24716
Polychrome statue of Isis.
Polychrome statue of Isis. - 24644
Polychrome statue of Isis.
Polychrome statue of Isis. - 24645
Polychrome statue of Isis standing.
Polychrome statue of Isis standing. - 24641
Polychrome statue of Isis.
Polychrome statue of Isis. - 24642
Polychrome statue of Isis.
Polychrome statue of Isis. - 24643
Central to the theme celebrated in the pediment decoration of the Temple of Apollo was the god's hierogamy with the nymph Kyrana, recently recognised in the seated statue extolling the nymph as bride.
Central to the theme celebrated in the pediment decoration of the Temple of Apollo was the god's hierogamy with the nymph Kyrana, recently recognised in the seated statue extolling the nymph as bride. - 24850
Central to the theme celebrated in the pediment decoration of the Temple of Apollo was the god's hierogamy with the nymph Kyrana, recently recognised in the seated statue extolling the nymph as bride.
Central to the theme celebrated in the pediment decoration of the Temple of Apollo was the god's hierogamy with the nymph Kyrana, recently recognised in the seated statue extolling the nymph as bride. - 24851
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule.
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule. - 24838
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule.
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule. - 24834
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule.
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule. - 24835
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule.
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule. - 24836
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule.
The sculpture, already attributed to the Hadrianic period, probably dates back to the first phase of Roman rule. - 24837
Apollo Epibomios seated on his altar, from the pediment group created in the last quarter of the 4th century BC for the Temple of Apollo at the Sanctuary on Myrtousa. The theme of the decoration depicted the arrival of the Greeks led by Batto.
Apollo Epibomios seated on his altar, from the pediment group created in the last quarter of the 4th century BC for the Temple of Apollo at the Sanctuary on Myrtousa. The theme of the decoration depicted the arrival of the Greeks led by Batto. - 24856
Statue of Eros with an arch, placed in the 2nd century A.D. in the Great Baths of Myrtousa: the sculpture derives from the bronze forged by Lysippus for the Sanctuary of Aphrodite at Thespis.
Statue of Eros with an arch, placed in the 2nd century A.D. in the Great Baths of Myrtousa: the sculpture derives from the bronze forged by Lysippus for the Sanctuary of Aphrodite at Thespis. - 24672
Statue of Eros with an arch, placed in the 2nd century A.D. in the Great Baths of Myrtousa: the sculpture derives from the bronze forged by Lysippus for the Sanctuary of Aphrodite at Thespis.
Statue of Eros with an arch, placed in the 2nd century A.D. in the Great Baths of Myrtousa: the sculpture derives from the bronze forged by Lysippus for the Sanctuary of Aphrodite at Thespis. - 24674
Sacerdotessa isiaca tipo Faustina
Sacerdotessa isiaca tipo Faustina - 24667
Iside con Arpocrate
Iside con Arpocrate - 24841

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