The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22189
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22190
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22191
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22192
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22187
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22188
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22179
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, .
The troop consists of forty Egyptian soldiers arranged on a single base and divided into ten rows of four figures each. Represented in the act of marching, they hold a spear in their right hand and a shield in their left, white skirts with a central band, the shields resemble the skins of various animals, . - 22180
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp - 27517
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp - 27510
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp - 27509
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp
Battle of Kadesh in which Ramesses fights against Nubians, Hittites and Syrians. Fighting between Egyptian and Hittite horsemen in a corner of the pharaoh's camp - 27479
Decorated column no. 12 (part.)
Decorated column no. 12 (part.) - 5573
Istoriated column no. 13 (part.)
Istoriated column no. 13 (part.) - 5574
Istoriated column no. 14 (part.)
Istoriated column no. 14 (part.) - 5575
Istoriated column no. 13 (part.)
Istoriated column no. 13 (part.) - 5576
Historiated column (part.)
Historiated column (part.) - 5577
Historiated column
Historiated column - 5009
Historiated column no. 14
Historiated column no. 14 - 5010
Historiated column
Historiated column - 5011
Istoriated column no. 13 (part.)
Istoriated column no. 13 (part.) - 5571
Istoriated column no. 14 (part.)
Istoriated column no. 14 (part.) - 5572
Battle of Kadesh in which Ramesses fought against Nubians, Hittites and Syrians.
Battle of Kadesh in which Ramesses fought against Nubians, Hittites and Syrians. - 27532
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears.
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears. - 27177
Battle of Kadesh in which Ramesses fought against Nubians, Hittites and Syrians.
Battle of Kadesh in which Ramesses fought against Nubians, Hittites and Syrians. - 27481
The scene depicts the moment when Joseph, after punishing his brothers for their wickedness, makes himself known and embraces the young Benjamin, on the far right the mules laden with grain and on the left three Egyptian dignitaries
The scene depicts the moment when Joseph, after punishing his brothers for their wickedness, makes himself known and embraces the young Benjamin, on the far right the mules laden with grain and on the left three Egyptian dignitaries - 50388
The necklace was found on the mummy. This type of collar was called usekh, meaning 'broad', by the Egyptians; it was the most common neck ornament worn by both men and women.
The necklace was found on the mummy. This type of collar was called usekh, meaning 'broad', by the Egyptians; it was the most common neck ornament worn by both men and women. - 26649
Shows two Hittite prisoners beaten with spears by a group of Egyptian soldiers
Shows two Hittite prisoners beaten with spears by a group of Egyptian soldiers - 27690
Detail of the 3rd style fresco on the tablinum wall, adorned with Egyptian motifs. It depicts the deity Anubis
Detail of the 3rd style fresco on the tablinum wall, adorned with Egyptian motifs. It depicts the deity Anubis - 60543
View of the burial chamber of the Kom El Shoqaf catacomb. In the background the sarcophagus with the relief of Egyptian deities and offering priests over the body of the deceased. In the foreground are Corinthian columns and Egyptian elements such as winged sun and urei. The catacombs of Kom El Shoqafa consist of a series of tombs influenced by the Hellenistic and early imperial styles. Dating from the time of the Antonine emperors, the tombs were carved into the rock and equipped with a spiral staircase to transport the bodies of the deceased inside. The decoration, statues and reliefs are in the Egyptian style mixed with aspects of the Greco-Roman style.
View of the burial chamber of the Kom El Shoqaf catacomb. In the background the sarcophagus with the relief of Egyptian deities and offering priests over the body of the deceased. In the foreground are Corinthian columns and Egyptian elements such as winged sun and urei. The catacombs of Kom El Shoqafa consist of a series of tombs influenced by the Hellenistic and early imperial styles. Dating from the time of the Antonine emperors, the tombs were carved into the rock and equipped with a spiral staircase to transport the bodies of the deceased inside. The decoration, statues and reliefs are in the Egyptian style mixed with aspects of the Greco-Roman style. - 8167
View of the burial chamber of the Kom El Shoqaf catacomb. In the background the sarcophagus with the relief of Egyptian deities and offering priests over the body of the deceased. In the foreground are Corinthian columns and Egyptian elements such as winged sun and urei. The catacombs of Kom El Shoqafa consist of a series of tombs influenced by the Hellenistic and early imperial styles. Dating from the time of the Antonine emperors, the tombs were carved into the rock and equipped with a spiral staircase to transport the bodies of the deceased inside. The decoration, statues and reliefs are in the Egyptian style mixed with aspects of the Greco-Roman style.
View of the burial chamber of the Kom El Shoqaf catacomb. In the background the sarcophagus with the relief of Egyptian deities and offering priests over the body of the deceased. In the foreground are Corinthian columns and Egyptian elements such as winged sun and urei. The catacombs of Kom El Shoqafa consist of a series of tombs influenced by the Hellenistic and early imperial styles. Dating from the time of the Antonine emperors, the tombs were carved into the rock and equipped with a spiral staircase to transport the bodies of the deceased inside. The decoration, statues and reliefs are in the Egyptian style mixed with aspects of the Greco-Roman style. - 8168
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth.
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth. - 20969
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth.
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth. - 20970
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth.
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth. - 20971
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth.
Mentuhotep II was the ruler who reunified Egypt after the period of turmoil during the First Intermediate Period. The statue was discovered in the burial chamber of the ruler's temple at Deir el Bahari. The ruler is depicted in the traditional pose of the ancient Egyptian kings seated on a throne wearing the typical Jubilee costume. His hands are crossed on his chest and on his head he wears the red crown of Lower Egypt and a sacred beard. The black colour of the statue recalls that of the skin of Osiris, god of the dead, and was a symbol of death and rebirth. - 20972
The decoration of the lower surfaces consists of a spiral motif, within which is engraved a hieroglyphic 'the perfect god Amenemhat'. The scarabeus sacer, identified by the Egyptians with the god Khepri, the one who was regenerated, was a symbol of rebirth and becoming and was for them a powerful amulet
The decoration of the lower surfaces consists of a spiral motif, within which is engraved a hieroglyphic 'the perfect god Amenemhat'. The scarabeus sacer, identified by the Egyptians with the god Khepri, the one who was regenerated, was a symbol of rebirth and becoming and was for them a powerful amulet - 21567
The decoration of the lower surfaces consists of a spiral motif, within which is engraved a hieroglyphic 'the perfect god Amenemhat'. The scarabeus sacer, identified by the Egyptians with the god Khepri, the one who was regenerated, was a symbol of rebirth and becoming and was for them a powerful amulet
The decoration of the lower surfaces consists of a spiral motif, within which is engraved a hieroglyphic 'the perfect god Amenemhat'. The scarabeus sacer, identified by the Egyptians with the god Khepri, the one who was regenerated, was a symbol of rebirth and becoming and was for them a powerful amulet - 21568
A blue gold amulet in the shape of a papyrus plant with foliage decoration and Tutankhamun's cartouche with the name Nebkheperura. It was usually placed around the neck of the deceased to convey to him all the qualities of the papyrus plant, i.e. vigour and resistance. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the person wearing them the properties they contained: protection, vitality, strength, regeneration.
A blue gold amulet in the shape of a papyrus plant with foliage decoration and Tutankhamun's cartouche with the name Nebkheperura. It was usually placed around the neck of the deceased to convey to him all the qualities of the papyrus plant, i.e. vigour and resistance. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the person wearing them the properties they contained: protection, vitality, strength, regeneration. - 22338
Blue faïence amulet in the form of a djed pillar with gold decoration and cartouche with the name Nebkheperura. The djed pillar represented Osiris' spine and was a symbol of rebirth. It was meant to give the wearer solidity, balance and stability. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the wearer the properties they contained: protection, vitality, strength, regeneration.
Blue faïence amulet in the form of a djed pillar with gold decoration and cartouche with the name Nebkheperura. The djed pillar represented Osiris' spine and was a symbol of rebirth. It was meant to give the wearer solidity, balance and stability. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the wearer the properties they contained: protection, vitality, strength, regeneration. - 22339
Blue faïence amulet in the shape of the ankh symbol of life, with some manganese motifs. The stem bears an inscription with Tutankhamun's prename: Nebkheperura. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the person wearing them the properties they contained: protection, vitality, strength, regeneration.
Blue faïence amulet in the shape of the ankh symbol of life, with some manganese motifs. The stem bears an inscription with Tutankhamun's prename: Nebkheperura. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the person wearing them the properties they contained: protection, vitality, strength, regeneration. - 22336
A blue faïence amulet in the shape of papyrus with some manganese motifs. It was usually placed around the neck of the deceased to convey to him all the qualities of the papyrus plant, namely vigour and resistance. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the person wearing them the properties they contained: protection, vitality, strength, regeneration.
A blue faïence amulet in the shape of papyrus with some manganese motifs. It was usually placed around the neck of the deceased to convey to him all the qualities of the papyrus plant, namely vigour and resistance. The Egyptians wore amulets both in life and after death as a sign of protection. Both the shape and the material were often symbolic and gave the person wearing them the properties they contained: protection, vitality, strength, regeneration. - 22337
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear.
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear. - 21515
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear.
The central body of the pendant consists of an udjat, one of the most important Egyptian amulets, next to which an uraeus and a sa sign, two symbols of protection, also appear. - 21516
The depiction seems to refer to a famous mythological episode: for the Egyptians, the pharaoh was suckled by the goddess Isis, who is depicted here in the form of a serpent with a human head, breasts and arms. It could, however, be Ueret-hekau, the goddess 'with great magical powers'.
The depiction seems to refer to a famous mythological episode: for the Egyptians, the pharaoh was suckled by the goddess Isis, who is depicted here in the form of a serpent with a human head, breasts and arms. It could, however, be Ueret-hekau, the goddess 'with great magical powers'. - 21426
The depiction seems to refer to a famous mythological episode: for the Egyptians, the pharaoh was suckled by the goddess Isis, who is depicted here in the form of a serpent with a human head, breasts and arms. It could, however, be Ueret-hekau, the goddess 'with great magical powers'.
The depiction seems to refer to a famous mythological episode: for the Egyptians, the pharaoh was suckled by the goddess Isis, who is depicted here in the form of a serpent with a human head, breasts and arms. It could, however, be Ueret-hekau, the goddess 'with great magical powers'. - 21427
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears.
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears. - 27549
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears.
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears. - 27558
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears.
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears. - 27559
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears.
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears. - 27548
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears.
Scene from the Battle of Qadesh with a clash between Egyptian chariots (left) and Hittite chariots (right). Note the order in the representation of the Egyptian ranks compared to those of the enemy, shown in reverse disarray with corpses and horses skewered by spears. - 27520

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