Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24649
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24648
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24678
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24680
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24681
Funerary half-bust of the goddess Proserpina From axillary torsos to actual half-figures aprosopic or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
Funerary half-bust of the goddess Proserpina From axillary torsos to actual half-figures aprosopic or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24682
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
Funerary half-bust of the goddess Proserpine From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24647
The axillary aprosopic torso of Pedella 'goddess of death' represents the first stage of a typical production of Cyrene funerary sculpture from the Archaic to the Roman period.
The axillary aprosopic torso of Pedella 'goddess of death' represents the first stage of a typical production of Cyrene funerary sculpture from the Archaic to the Roman period. - 24659
The aprosopic axillary torso of Pedella 'goddess of death' represents the first stage of a typical production of Cyrene funerary sculpture from the Archaic to the Roman period.
The aprosopic axillary torso of Pedella 'goddess of death' represents the first stage of a typical production of Cyrene funerary sculpture from the Archaic to the Roman period. - 24660
The aprosopic axillary torso of Pedella 'goddess of death' represents the first stage of a typical production of Cyrene funerary sculpture from the Archaic to the Roman period.
The aprosopic axillary torso of Pedella 'goddess of death' represents the first stage of a typical production of Cyrene funerary sculpture from the Archaic to the Roman period. - 24661
represents Persephone goddess of death
represents Persephone goddess of death - 24614
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24777
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades.
Aprosopic funerary half-bust of the goddess Proserpina From axillary torsos to actual aprosopic half-figures or in the act of veiling/veiling the face, the allusion is always to the emergence of the goddess of Hades. - 24679
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24719
Funerary bust of Isis-Demeter with crown of urei and pomegranate.
Funerary bust of Isis-Demeter with crown of urei and pomegranate. - 24778
Funerary bust of Isis-Demeter with crown of urei and pomegranate.
Funerary bust of Isis-Demeter with crown of urei and pomegranate. - 24779
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades.
From axillary torsos to actual half-figures apostrophising or in the act of veiling/revealing the face, the allusion is always to the emergence of the goddess of Hades. - 24716

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