Fresco depicting objects of Dionysian worship distributed on a staircase. A metal amphora and some headdresses can be seen. At the base of the staircase is a panther attacking a snake
Fresco depicting objects of Dionysian worship distributed on a staircase. A metal amphora and some headdresses can be seen. At the base of the staircase is a panther attacking a snake - 61566
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears - 61380
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears - 61381
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears - 61382
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears - 61383
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears
It shows the portrait given to Cecilius Jocundus by the freedman Felix. It was originally in the tablinum of Cecilio Giocondo's house. The plinth is made of marble and the provenance can be read on it in an inscription argentarius realism portrait cunning ears - 61379
Frieze with two still life paintings
Frieze with two still life paintings - 61663
Scene of life in the forum. Fresco showing a market, selling bronze and iron pots and pans and clothes
Scene of life in the forum. Fresco showing a market, selling bronze and iron pots and pans and clothes - 61311
Scenes of life in the forum: hawkers of bread, cooked food and furnishings, surrounded by matrons
Scenes of life in the forum: hawkers of bread, cooked food and furnishings, surrounded by matrons - 61197
Scenes of life in the forum: selling tools, pots and shoes
Scenes of life in the forum: selling tools, pots and shoes - 61198
Showing a glass jar filled with fruit, a small amphora with oil and a jug containing olives one glass jar with fruit, one small amphora with oil and one jug with olives
Showing a glass jar filled with fruit, a small amphora with oil and a jug containing olives one glass jar with fruit, one small amphora with oil and one jug with olives - 61664
It shows a glass vase filled with fruit, a small oil amphora and a bowl containing olives. Detail shows the glass bowl with grapes apples pears and figs
It shows a glass vase filled with fruit, a small oil amphora and a bowl containing olives. Detail shows the glass bowl with grapes apples pears and figs - 61665
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age.
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age. - 61047
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age.
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age. - 61048
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age.
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age. - 61044
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age.
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age. - 61045
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used it as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age.
An object that became famous during the 1700s and, thanks to Piranesi, who reproduced it, used it as a model for neoclassical objects. The central structure is supported by three figures of young ityphallic satyrs raising their hands in an apotropaic gesture. It has recently been attributed to the Capua school, which produced vases and furniture in the imperial age. - 61046

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