Statua di Tuthmosi Tutmosi Tuthmosis Tuthmosis III
Statua di Tuthmosi Tutmosi Tuthmosis Tuthmosis III - 32028
Fish with the effigy of Thutmosi III
Fish with the effigy of Thutmosi III - 22065
Thutmosi III is depicted with nemeses and a false beard. He rests his hands on his knees.
Thutmosi III is depicted with nemeses and a false beard. He rests his hands on his knees. - 20784
The statuette depicts Thutmosi III incedent and with his left arm extended along his side, while his right arm is bent forward and was originally intended to hold a weapon or staff. The ruler wears the white Upper Egyptian crown with central uraeus and a skirt-shendyt. The statuette rests on a wooden and ivory base.
The statuette depicts Thutmosi III incedent and with his left arm extended along his side, while his right arm is bent forward and was originally intended to hold a weapon or staff. The ruler wears the white Upper Egyptian crown with central uraeus and a skirt-shendyt. The statuette rests on a wooden and ivory base. - 22405
The statuette depicts Thutmosi III incedent and with his left arm extended along his side, while his right arm is bent forward and was originally intended to hold a weapon or staff. The ruler wears the white Upper Egyptian crown with central uraeus and a skirt-shendyt. The statuette rests on a wooden and ivory base.
The statuette depicts Thutmosi III incedent and with his left arm extended along his side, while his right arm is bent forward and was originally intended to hold a weapon or staff. The ruler wears the white Upper Egyptian crown with central uraeus and a skirt-shendyt. The statuette rests on a wooden and ivory base. - 22404
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20755
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20756
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20757
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20758
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20759
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20760
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary.
The vaulted ceiling of the chapel is decorated with a starry sky. On the back wall is a scene in which Thutmosi III offers libations and fumigations to the god Amun seated on a throne; cartouches enunciate two names of the ruler. On the side walls the goddess Hathor is depicted: in the first scene from the background the goddess is standing and in human form and on her head she bears the solar disc between bovine horns; she is also depicted receiving offerings from Thutmosi III. In the next scene she has the form of a heifer and is depicted suckling the infant ruler, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess. On the left wall Thutmosi is accompanied by his bride Merira-Hatshepsut, on the right by two princesses. Breastfeeding is also depicted on a sculpture by his successor, Amenhotep II, which was found inside the sanctuary. - 20761
Fragment of the upper part of a limestone statue of Thutmosi III. There are traces of the original painting on the face and nemes. The ruler wears the nemes with the uraeus on his forehead, on his chin he has a false beard.
Fragment of the upper part of a limestone statue of Thutmosi III. There are traces of the original painting on the face and nemes. The ruler wears the nemes with the uraeus on his forehead, on his chin he has a false beard. - 20778
Fragment of the upper part of a limestone statue of Thutmosi III. There are traces of the original painting on the face and nemes. The ruler wears the nemes with the uraeus on his forehead, on his chin he has a false beard.
Fragment of the upper part of a limestone statue of Thutmosi III. There are traces of the original painting on the face and nemes. The ruler wears the nemes with the uraeus on his forehead, on his chin he has a false beard. - 20779
The statuette depicts the pharaoh kneeling on a parallelepipedal base; in his hands he holds two nu jars. The monarch belts the nemes ornamented with the ureu on his forehead and wears a skirt.
The statuette depicts the pharaoh kneeling on a parallelepipedal base; in his hands he holds two nu jars. The monarch belts the nemes ornamented with the ureu on his forehead and wears a skirt. - 20785
The top of the wall is decorated with a kheker frieze composed by stylized plants (maybe bundles of reeds). Below a stripe of stars on a blue background symbolizing the sky.
The top of the wall is decorated with a kheker frieze composed by stylized plants (maybe bundles of reeds). Below a stripe of stars on a blue background symbolizing the sky. - 80692
The ceiling is decorated with a starry sky and painted with deep blue and spangled with yellow stars, evoking the heavenly sky.
The ceiling is decorated with a starry sky and painted with deep blue and spangled with yellow stars, evoking the heavenly sky. - 80693
Abridged version of the book of Amduat painted on a pillar of the burial chamber. The texts are done in a cursive fashion imitating funerary papyrus.
Abridged version of the book of Amduat painted on a pillar of the burial chamber. The texts are done in a cursive fashion imitating funerary papyrus. - 80690
Amduat. Part of the 741 divinities of the Amduat. Above a grid with stars and incense burners.
Amduat. Part of the 741 divinities of the Amduat. Above a grid with stars and incense burners. - 80697
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription.
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. - 22499
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription.
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. - 22500
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed in nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription.
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed in nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. - 20765
The pharaoh wears the white crown with uraeus on his forehead and wears the shendyt skirt.
The pharaoh wears the white crown with uraeus on his forehead and wears the shendyt skirt. - 20786
The sovereign is depicted incandescent with his arms stretched across his body. The back pillar is anepigraphic and supports the figure tapering to the top of the headdress.
The sovereign is depicted incandescent with his arms stretched across his body. The back pillar is anepigraphic and supports the figure tapering to the top of the headdress. - 20787
The pharaoh wears the white crown with uraeus on his forehead and wears the shendyt skirt.
The pharaoh wears the white crown with uraeus on his forehead and wears the shendyt skirt. - 20788
The pharaoh wears the white crown with uraeus on his forehead and wears the shendyt skirt.
The pharaoh wears the white crown with uraeus on his forehead and wears the shendyt skirt. - 20789
The statuette represents the pharaoh kneeling on a parallelepiped base; in his hands he holds two 'nu' jars. The monarch belts the nemes adorned with ureu on his forehead and wears the shendyt skirt; his image as a priest is hieratic.
The statuette represents the pharaoh kneeling on a parallelepiped base; in his hands he holds two 'nu' jars. The monarch belts the nemes adorned with ureu on his forehead and wears the shendyt skirt; his image as a priest is hieratic. - 20729
The statuette represents the pharaoh kneeling on a parallelepiped base; in his hands he holds two 'nu' jars. The monarch belts the nemes adorned with ureu on his forehead and wears the shendyt skirt; his image as a priest is hieratic.
The statuette represents the pharaoh kneeling on a parallelepiped base; in his hands he holds two 'nu' jars. The monarch belts the nemes adorned with ureu on his forehead and wears the shendyt skirt; his image as a priest is hieratic. - 20730
The burial chamber is decorated with scenes from the Amduat and the Litany of Ra. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky.
The burial chamber is decorated with scenes from the Amduat and the Litany of Ra. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky. - 30566
The burial chamber is decorated with scenes from the Amduat and the Litany of Ra. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky.
The burial chamber is decorated with scenes from the Amduat and the Litany of Ra. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky. - 30575
Detail of a pillar of the burial chamber. Thutmosis is suckled by the goddess Isis in the form of a sycamore tree.
Detail of a pillar of the burial chamber. Thutmosis is suckled by the goddess Isis in the form of a sycamore tree. - 30569
The burial chamber is decorated with scenes from the Amduat and the Litany of Ra. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky.
The burial chamber is decorated with scenes from the Amduat and the Litany of Ra. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky. - 30576
The pillared hall is decorated with scenes from the Book of Amduat. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky.
The pillared hall is decorated with scenes from the Book of Amduat. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky. - 30577
The pillared hall is decorated with scenes from the Book of Amduat. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky.
The pillared hall is decorated with scenes from the Book of Amduat. The upper part of the wall is decorated with a kheker frieze composed of stylised plants (probably bundles of reeds). Below is a band decorated with stars on a dark blue background to represent the sky. The ceiling is painted with a starry sky. - 30578
The sarcophagus is located in the burial chamber and is made of red quartzite. On one of the long sides, in the centre, are two false eyes generally placed near the head of the deceased so that he could look out. Underneath is a false door through which the deceased could enter and exit the sarcophagus. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Chamber of Gold, the name generally used for the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. On one of the long sides, in the centre, are two false eyes generally placed near the head of the deceased so that he could look out. Underneath is a false door through which the deceased could enter and exit the sarcophagus. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Chamber of Gold, the name generally used for the burial chamber. - 31582
The sarcophagus is located in the burial chamber and is made of red quartzite. The goddess Neftis is depicted at the head of the sarcophagus, on the sign nbw indicating gold. The yellow paint is reminiscent not only of the golden skin of the deities, but also of the so-called Chamber of Gold, the name generally used to indicate the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The goddess Neftis is depicted at the head of the sarcophagus, on the sign nbw indicating gold. The yellow paint is reminiscent not only of the golden skin of the deities, but also of the so-called Chamber of Gold, the name generally used to indicate the burial chamber. - 31579
The sarcophagus is located in the burial chamber and is made of red quartzite. On one of the long sides, in the centre, are two false eyes generally placed near the head of the deceased so that he could look out. Underneath is a false door through which the deceased could enter and exit the sarcophagus. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Chamber of Gold, the name generally used for the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. On one of the long sides, in the centre, are two false eyes generally placed near the head of the deceased so that he could look out. Underneath is a false door through which the deceased could enter and exit the sarcophagus. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Chamber of Gold, the name generally used for the burial chamber. - 31580
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides feature three deities, in this case Imseti and Duamutef, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used to indicate the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides feature three deities, in this case Imseti and Duamutef, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used to indicate the burial chamber. - 31573
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides present three deities: two sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used for the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides present three deities: two sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used for the burial chamber. - 31574
The sarcophagus is located in the burial chamber and is made of red quartzite. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used for the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used for the burial chamber. - 31575
The sarcophagus is located in the burial chamber and is made of red quartzite. The goddess Isis is depicted at the foot of the sarcophagus, on the nbw sign indicating gold. The yellow paint is reminiscent not only of the golden skin of the deities, but also of the so-called Chamber of Gold, the name generally used to indicate the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The goddess Isis is depicted at the foot of the sarcophagus, on the nbw sign indicating gold. The yellow paint is reminiscent not only of the golden skin of the deities, but also of the so-called Chamber of Gold, the name generally used to indicate the burial chamber. - 31576
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. Pink granite
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. Pink granite - 22497
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. Pink granite
The sculpture rests on a smooth, anepigraphic rectangular plinth. The feral body stretches out sinuously, with the long front legs stretched forward and the tail curved over the right hind leg. The head is human, and more precisely of a ruler, as revealed by the nemes. The forehead is dominated by the uraeus. The chin rests on a large, square, false beard. On the chest is a hieroglyphic inscription. Pink granite - 22498
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides feature three deities, in this case Imseti and Duamutef, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used to indicate the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides feature three deities, in this case Imseti and Duamutef, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used to indicate the burial chamber. - 31581
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides feature three deities, in this case Imseti and Duamutef, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used to indicate the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides feature three deities, in this case Imseti and Duamutef, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used to indicate the burial chamber. - 31577
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides present three deities, in this case Qebehsenuef and Hapy, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre together with two false eyes generally placed near the head of the deceased so that he could look out. Underneath is a false door through which the deceased could enter and exit the sarcophagus. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used for the burial chamber.
The sarcophagus is located in the burial chamber and is made of red quartzite. The long sides present three deities, in this case Qebehsenuef and Hapy, the sons of Horus, placed at the corners of the deceased, and Anubis in the centre together with two false eyes generally placed near the head of the deceased so that he could look out. Underneath is a false door through which the deceased could enter and exit the sarcophagus. The yellow paint is reminiscent not only of the golden skin of the deities but also of the so-called Golden Chamber, the name generally used for the burial chamber. - 31578
Detail of a pillar of the burial chamber. Above Thutmosis III and his mother Isis in a boat preceded by two men carrying the banners of Horus and Nefertem. Below Thutmosis followed by the queens Hatshepsut, Sitioh, and Nebtu, and the princess Nefertere. Below, the pharaoh is suckled by the goddess Isis in the form of a sycamore tree.
Detail of a pillar of the burial chamber. Above Thutmosis III and his mother Isis in a boat preceded by two men carrying the banners of Horus and Nefertem. Below Thutmosis followed by the queens Hatshepsut, Sitioh, and Nebtu, and the princess Nefertere. Below, the pharaoh is suckled by the goddess Isis in the form of a sycamore tree. - 30568
The ceiling of the vaulted chapel is decorated with a starry sky. The back wall is occupied by a scene in which Thutmosi III offers libations and fumigations to the god Amun-Ra seated on a throne, the hieroglyphs on the left enunciate two names of the ruler and comment on his action; on the side walls, the goddess Hathor is depicted, starting from the bottom, standing, with the solar disc on her head between two bovine horns, in the act of receiving offerings from Thutmosi III, then in the guise of a heifer, in the act of suckling the child sovereign, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess; On the left wall Thutmosi is accompanied by his wife Meritra, on the right by two princesses; suckling is also depicted on a sculpture of his successor Amenhotep II, which was found inside the sanctuary.
The ceiling of the vaulted chapel is decorated with a starry sky. The back wall is occupied by a scene in which Thutmosi III offers libations and fumigations to the god Amun-Ra seated on a throne, the hieroglyphs on the left enunciate two names of the ruler and comment on his action; on the side walls, the goddess Hathor is depicted, starting from the bottom, standing, with the solar disc on her head between two bovine horns, in the act of receiving offerings from Thutmosi III, then in the guise of a heifer, in the act of suckling the child sovereign, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess; On the left wall Thutmosi is accompanied by his wife Meritra, on the right by two princesses; suckling is also depicted on a sculpture of his successor Amenhotep II, which was found inside the sanctuary. - 70260
The ceiling of the vaulted chapel is decorated with a starry sky. The back wall is occupied by a scene in which Thutmosi III offers libations and fumigations to the god Amun-Ra seated on a throne, the hieroglyphs on the left enunciate two names of the ruler and comment on his action; on the side walls, the goddess Hathor is depicted, starting from the bottom, standing, with the solar disc on her head between two bovine horns, in the act of receiving offerings from Thutmosi III, then in the guise of a heifer, in the act of suckling the child sovereign, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess; On the left wall Thutmosi is accompanied by his wife Meritra, on the right by two princesses; suckling is also depicted on a sculpture of his successor Amenhotep II, which was found inside the sanctuary.
The ceiling of the vaulted chapel is decorated with a starry sky. The back wall is occupied by a scene in which Thutmosi III offers libations and fumigations to the god Amun-Ra seated on a throne, the hieroglyphs on the left enunciate two names of the ruler and comment on his action; on the side walls, the goddess Hathor is depicted, starting from the bottom, standing, with the solar disc on her head between two bovine horns, in the act of receiving offerings from Thutmosi III, then in the guise of a heifer, in the act of suckling the child sovereign, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess; On the left wall Thutmosi is accompanied by his wife Meritra, on the right by two princesses; suckling is also depicted on a sculpture of his successor Amenhotep II, which was found inside the sanctuary. - 20754
The ceiling of the vaulted chapel is decorated with a starry sky. The back wall is occupied by a scene in which Thutmosi III offers libations and fumigations to the god Amun-Ra seated on a throne, the hieroglyphs on the left enunciate two names of the ruler and comment on his action; on the side walls, the goddess Hathor is depicted, starting from the bottom, standing, with the solar disc on her head between two bovine horns, in the act of receiving offerings from Thutmosi III, then in the guise of a heifer, in the act of suckling the child sovereign, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess; On the left wall Thutmosi is accompanied by his wife Meritra, on the right by two princesses; suckling is also depicted on a sculpture of his successor Amenhotep II, which was found inside the sanctuary.
The ceiling of the vaulted chapel is decorated with a starry sky. The back wall is occupied by a scene in which Thutmosi III offers libations and fumigations to the god Amun-Ra seated on a throne, the hieroglyphs on the left enunciate two names of the ruler and comment on his action; on the side walls, the goddess Hathor is depicted, starting from the bottom, standing, with the solar disc on her head between two bovine horns, in the act of receiving offerings from Thutmosi III, then in the guise of a heifer, in the act of suckling the child sovereign, kneeling beneath her, who is also depicted as an adult while offering offerings to the goddess; On the left wall Thutmosi is accompanied by his wife Meritra, on the right by two princesses; suckling is also depicted on a sculpture of his successor Amenhotep II, which was found inside the sanctuary. - 20762

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